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October 2004
Political Season
It is ’political season,’ again. All the tension, the catcalling,
the misrepresentations are pounded into us from every angle. I am
most annoyed by the all the distracting signs on the roadside, and soon
all the zealots will be standing at intersections, waving the signs,
obstructing my view of the oncoming traffic. Do the candidates
think that I will alter my decisions on the basis of a barrage of signs
along the road?
I find myself thinking about the last time there was any peace and
quiet in this country, though the peace and quiet masked our most
serious domestic problem, racial discrimination. And though there
was no hot war, there was a cold war and a race for nuclear arms
supremacy. That ‘peaceful time’ was 1952-1960 and the president was Dwight D. Eisenhower,
aka,
Ike. (The signs said, “I Like Ike.” Ring a bell?) Who
can forget diving under their school desk so we’d be protected from
‘the bomb?’ How about those fabulous colors introduced by
Formica? Weren’t the cars incredibly large, gaudy and oddly
beautiful? Wasn’t Doris Farrell a peach, with her Estabrook
fountain pen and its aqua ink? Who can forget Barbara Ostrowski,
whose womanly body drove us eighth grade boys to...well, you know.
I slept through this brief era, politically speaking. Heck, I was
in grammar school and then high school; it was the best of times.
After a quick breakfast, I’d peak out the window and watch for
Jacqueline Burns coming down the street. I popped out the front
door just as she got to my house, so we could walk to the bus
together. Jacqueline was Catholic and blonde, pretty and thin;
all things I was not allowed to admire, and desire. We liked each
other, but it never went beyond a walk to the bus, alas.
It occurred to me early on that I was good at certain subjects in
school and bad at others. Math was at the top of the good
list. Numbers were delicious, even the imaginary ones. Next
best was science. I got it, from theory to methodology to
analysis to application.
On the other side were history and grammar. I got history from
regular school and from Hebrew school. In the latter, I learned
that my ancestors were slaves who took a long walk across the desert,
where, mysteriously, bushes talked while they burned, people had the
ability to melt and form gold, and basic laws could be found on the top
of a mountain, chiseled in stone. In the former setting, I
learned almost nothing. Sure, there were important dates,
important events, presidents, documents, the industrial revolution, but
there was no context so I merely passed the tests and generally got
‘C’s and ‘D’s. I did not understand history. Now that I am
almost history, myself, and have figured out a context that appeals to
me, a good history book, or a conversation on what it all means, is a
pleasure.
The very worst for me was grammar. There were rules for
everything, and then rule violations galore. Except for ‘present’
and ‘past’ tenses, the names of the other tenses were beyond my
comprehension. When it came to parsing sentences, I watched Doris
Farrell. My inability to understand grammar continues today,
though I have spent more than 40 years trying to improve my writing
skills. It’s grammar by sound, for me, plus of few tests to make
sure I use ‘me’ or ‘I’ correctly.
In the early Eisenhower years, there seemed to be an implicit promise
that everything was going to be all right. Television shows were
about happy families; drugs had not yet been invented. Movies
were about mature love on the beach, and there were Broadway shows set
to film. Music was Frank Sinatra and Nelson Riddle and song
lyrics that were downright stupid. But darn if society wasn‘t in
for a major awakening, because in the Eisenhower years, the first signs
appeared; McCarthyism, Rebel Without A Cause, Elvis and Johnny
Cash, the RUSSIANS and Sputnik, and black people were making a fuss.
Not that Eisenhower could do anything about the changes that were in
progress. His strengths were military strategy and foreign
policy, not domestic problems or issues. But he was not about to
start a war for the sake of having something to do; he‘d served his
country admirably in World War II, showing up for all his
physicals. His domestic legacy is the American highway system
because he admired the German roadway system when he ‘visited‘ it
during WWII. So, my take on the situation back then was, all I
needed was a new car, driving along all that new highway, and Doris
Farrell next to me on that front bench seat.
It didn’t work out that way. Did it?
Forty-four years later there are signs along the road suggesting that I
vote for this one or that one. I have given up on the notion that
everything will be all right. It’s come down to a matter of the
direction in which we will allow compromise to occur. On tap we
have one guy who believes that rattling an iron fist is the way to go,
and another guy who prefers to make peace. One guy is for the
bosses; the other guy is for the workers. Big oil versus big
ketchup. I’m a peace-loving worker who likes his steak with
ketchup.
 
November 2004
I Want, I Want
The holiday season is upon us and it is time to enumerate all the
things I want, want, want, as I did last year. Gosh. Don’t
you just love all the crap? Man, I do!
For example, how about that new G7 capo, the capo to end all
capos? About $45. 
Why not 3 sets of medium and 3
sets of light guitar strings, coated, of course, from each manufacturer
of ‘extended life strings?’ I just found a new brand, Wyres --
handmade and cheaper per set than Elixir or D’Addario. That
should hold me for about two years. $10-$15 per set.
I’d also like to try out some of the new guitars out there. For
example, how about those entirely manmade carbon graphite jobs that
won’t rot, rust, decay, bend or break? About $1,500. They
can’t hardly go out of tune ‘cause the neck and body never budge.
Add some $750 worth of electronics and they sound approximately like a
wooden guitar. 
Then, there are some guitars made out of ‘composite’ materials.
This is suspiciously close to ‘compost’ materials, and some of them
sound like that. But just put in some electronics and you’re all
set. But don’t allow them to get wet. That compos(t)ite
smell is, well..., around $800.
Also on my list are items that will enhance the Fishken & Groves
act. This includes cowboy shirts, of the vintage variety, of
course. Some of ‘today’s’ cowboy shirts are
awful looking, either
boring plaids or loud, Garth Brooks styles. Yuk. Give me
those good old, cowboy movie shirts in black, white, blue, red,
green...yum. Add a nice, silk neckerchief, a gus-crease, white or
light beige Stetson, a pair of fancy Justin boots (my brand
preferences), a pair of those ‘slimming’ Lee jeans, a snazzy belt
buckle and a 1930, or so, 00-45 Martin guitar and I am ready to
go. Go in what, you ask? Around $45,000.
So many vehicle options. Shall I go in an environmentally
correct one, 1/2 electric motor, half fossil fuel? Shall I
choose American made (is there still such a thing)? Perhaps
something with a military look. SUV? Van? Converted school
bus? Comfy gas guzzler? I think a couple of vehicles;
short-range, mid-range, long-range. GIANT MOTHER ORANGE HUMMER
LIMOUSINE; perfect for those festivals in the mid west. Maybe
$150,000? 
Once I get this stuff, I will be happy and satisfied. But not for
long. There will be other things I see that I will want.
Stuff will continue to be developed and invented. That is
important so that people can go to work to make this stuff so they can
make money to buy the stuff. Then, as new stuff replaces the
formerly new stuff, people lose their jobs and the economy takes a dip,
but not for people who are making the new stuff, only for the people
making the formerly new stuff. To address this constant
fluctuation, companies send their jobs somewhere else so that the price
of the new stuff is so low that even the out-of-work people can afford
to buy the new stuff. This is called PROGRESS. People, like
many in Ohio, like this kind of progress and vote to continue the
progression. Apparently, this is what modern culture is all
about, making new stuff so as to support the cycle of life. Of
course, there are some spoil sports out there who don’t like this
system and its consequences so they fool around with nuclear weapons,
suicide bombs, territorial war. We have to get rid of all those
people so we can keep making new stuff and live happily ever after.
As I remind you every year around this time, give thanks for what you
have, give away some of the things you don’t need, and drop a buck into
the cup of that guy or gal on the street in front of the 7-11 in
Central Square. Quit fighting with your kids. After all,
you parented them. Forgive someone. You probably forgot the
details of the grudge, anyway. Do ‘it’ for the pleasure, not the
money.
I must remember this.
click here to return to Fishken's
Column
August 2004
Pass The Bottle, I Have A Race To Run
Ah, yet another opportunity to take a few shots at the Olympics,
the industrial-strength sporting (?) event pitting country
against country during a couple of weeks of good-natured competition
where an Iranian wrestler refused to compete against his first round
Israeli opponent; something about protesting Israeli occupation of
Palestinian territory. Humbug, I say, on with the games.
This year, the games are also the subject of photos published in
Playboy magazine. We guys can get a glance at slightly bared
women athletes flexing their muscled bods as they prepare, financially,
to march into Athens, slickly oiled, yeah!
As usual, the Olympics has been tainted by drugs. Sports fans
have been drinking copious amounts of coffee during the day, yet
greater amounts of beer and cocktails in the evening, smoking
cigarettes, and some have been taking diet concoctions as well as
steroids, if only to get into the Olympic mood. Some athletes
have ‘tested positive’ for drugs that have been banned by the Olympic
committee. These are drugs [1] that purportedly enhance
performance and [2] whose manufacturers have not paid a sufficiently
large bribe to the committee.
I am not bothered by the issue of sports and drugs, as you well
know. I am bothered, however, by anesthesiologists who take
drugs, pilots who take drugs, and drivers who are drunk. My basic
rule: if there’s a high probability that you’ll hurt more than just
yourself when you take drugs, don’t. That is, either don’t
undertake the activity or don’t take the drugs. Athletes who lose
their events may be sad, but otherwise there are no substantive
consequences when athletes use drugs. Let athletes take whatever
drugs they want! I want to see the current limits of athletic
capacity.
The future is even brighter. Imagine the athletes who have been
genetically modified. Wow! After all, athletes now mate
with other athletes. Selective breeding is only a step away from
genetic engineering. Some day the record for the 100-meter dash
will be under 7 seconds; like athletes shot from guns! Men and
women will be ideally shaped and molded for their particular
events. Athletes zooming over the high bar set at 12 feet, pole
vaulters heading into orbit, broad jumpers blasting off for 50
feet. Now, consider some of the sports after genetic engineering
and drug enhancement; synchronized swimming, diving, the marathon,
putting the shot, and lost more. And this is just the summer
Olympics. The winter is coming!
click here to return to Fishken's
Column
May, 2004. Staten
Island, NY.
Time
Traveler From 2055 Appears, Gives Interview, Plays Guitar.
In an atmosphere of dazzling, dizzying hopefulness as well as
uncertainty and fearfulness, Jorge Velasquez, self-proclaimed time
traveler, allowed me to interview him in his temporary home, just
across the street from Mandolin Bros. guitar store on Staten Island,
NY. I had expected Mr. Velasquez to demand the questions in
advance, but he said he already knew them.
LePoissonInquisitive (LPI): Mr. Velasquez, why are you here?
JV: First, call me Jorge. Everyone is very informal in
2055. I am here on vacation. I won a time-trip raffle
at the school science fair where my son had entered a project. It
was the first time I had ever won anything.
LPI: Wait a second! You’re not a scientist or politician
coming back in time to warn us about what lies ahead, the destruction
or development of mankind, that sort of thing?
JV: Uh, no. Just here to visit and play some guitars across
the street, maybe see a baseball game.
LPI: But you can tell me about the state of the world, the fate
of our country, personal freedom, guitar-making materials, the rain
forest, the middle east, Anna Nicole Smith...right?
JV: Well, sure, I guess. Anna Nicole married a really young
guy and when she died he got all the money. That was really
funny, you know.
LPI: Jorge, let’s get to the important stuff. What happens
to us? Do we screw up the world, kill everyone, poison everyone,
regress to the middle ages of governance, what, what, what???
JV: Gosho, you are so full of anxiety, and questions about really
big things. Let me tell you this. The Boston Red Sox do NOT
win a World Series. One year, they had the best team in baseball,
by far. The pitching was amazing, hitting superb, base
running...exceptional, fielding, remarkable, unbelievable. In the
World Series of 2037 they were playing the Chicago Cubs. It was a
dream come true. But during the games a weird energy seemed to
fill the air, like a layer of smelly ozone, and when you looked up you
could see a face forming and it would look down and smile and at first
people thought it must be Babe Ruth and all that Bambino curse
crap. But it wasn’t the Babe. It was Ernie Banks. The
Red Sox lost the series on a steal of home in the bottom of the ninth
of the seventh game in Chicago. A gloom hung over empty Fenway
Park.
LPI: Huh! Fenway Park is still there?
JV: Yes. So is Wrigley Field. The seats are a little
narrow for the big butts that have evolved, but we make do.
LPI: Jorge, I have to ask, what are the important issues of the
day? Politics, world events, science, world population, the
environment.
JV: Let’s see. Where to begin. Most of the world is
owned by two companies, Pfizer and a conglomerate of Honda and Toyota, Hoyota. They finance mostly everything and employ
everybody. There are remnants of countries, but the leaders
are all on the Hoyota payroll. Actually, it worked out
okay. It brought all the disparate factors in the world together
to work for common goals, like getting enough food and medical care.
LPI: You mean to tell me that the two major forces in the world
are profit making entities? What about personal freedom,
political opinions, all the good stuff?
JV: Actually, most of that crap went away. We were about to
enter a world catastrophe. Viruses were all over the place, and
food, clean air and water were at a premium. Pfizer and Hoyota
figured that the market for their products was about to disappear, so
they really put on the dog.
LPI: Put on the dog? Put on the dog??? What’s
that? Put on the dog?
JV: Well, instead of starting any kind of war, they bought
everything in sight and had total control of it all, I mean ALL.
At that point, they declared a moratorium on profit taking and threw
all their resources into cleaning up the mess. Surprisingly, the
cleanup took about six months. It was amazing. All the
nuclear waste was sucked up and dumped into the nearest black
hole. Human waste was processed and cut back into the soil and
crop growth went wild. New breeds of chickens and cows were
developed with gene technology. Food...no problem. All
manufacturing byproducts were also sucked up into the black hole by
installing these infinity pipes at every factory. All the world’s
toilets were hooked up to the new fertilizer production system.
With all the new plant life, the air got cleaned up, lickity-split. Basically, it all happened because someone set up
a blind date between the presidents of Pfizer and Hoyota, Tom and
Gwen. They fell in love and decided that they would give the
world the chance to revive. That’s about it.
LPI: So you’re telling me that in 2055 everything is okay.
The world is at peace. Everyone who wants to is working.
Everyone contributes to the greater, common good?
JV: Yuperoo.
LPI: But you did say there was almost a catastrophe. What
led to that.
JV: That’s pretty funny, in retrospect. It started in 2004
during the presidential election in the United States. Bush won a
second term but it was short-lived. Election violations were
uncovered and as the press began to unpeel the layers on his
administration they discovered all forms of corruption. As the
corruption was revealed, bit by bit, the seeds of a civil war were
planted. Virtually all the wealth in the country was held by a
few people and the masses revolted. The poor and middle classes
recognized that their role was merely to serve the rich and they
finally got mad. But instead of a violent war, they conducted one
that called upon the masses to stop buying things. The structure
of the United States disintegrated in less than three months! The
real catastrophe came as a result of the collapse of the US. War
in the middle east spiraled and terrorists, scattered all over the
world, took advantage of the situation. It seemed as if there was
no particular purpose to the killings, and there were millions of
deaths each week. In every region where there were border
disputes, religious disputes or economic disputes, there was vicious
war. After about a year of this mess, China and Russia developed
a plan to either end it all, the world, that is, or save it. It
was simplicity itself. First, they dropped one huge hydrogen bomb
in the desert in the middle east. The cloud and the resulting
deaths from fallout were very impressive. China and Russia
referred to this as a warning shot, and demanded cease fires around the
world. Most everyone complied, except for that jerk in North
Korea, who fired a bomb off toward Tokyo. The world held its
breath during the brief flight of the missile. The missile never
made it to Tokyo; the missile faltered and fell into the sea. The
North Korean president was immediately assassinated and the world took
a deep breath.
The rest of the story is just details. The whole notion of
capitalism was re-examined. Groups with political or religious
differences called truces. And once the world decided that
everyone deserved a life of health and happiness, the rest fell into
place.
LPI: Who were the heroes in all this?
JV: Well, one of the major guys was Manny Ramirez.
LPI: Get out. The ballplayer?
JV: Yeah, him. He was just so happy playing ball in Boston,
he led the effort to stop buying things in the US. He stopped
cashing his checks, and millions of dollars in checks were found in his
locker. Signs everywhere were based on Manny’s comment to the
press. “Be happy. Stop buying.” Very effective.
LPI: Anyone else?
JV: Sure. Everyone named Bob. As a structure emerged,
essentially the world controlled by Pfizer and Hoyota, there had to be
some way to appoint people to positions of responsibility. There
was a need for people who could bring others together to deal with
local issues. The idea of elections was dismissed for obvious
reasons. A lottery was considered, but the possibility of fraud
eliminated that idea. So, in a bizarre, but effective, edict, all
people named Bob, or the foreign equivalents of Bob, became locally
responsible for helping people with their problems. Bobs were not
paid, but they were much admired. There were some cases of Bob
bribing, but bribers had to become boxers, by law, and that solved the
problem. Bob Briber Boxing was brutal and barbaric, thus, not
popular.
The selection of Bobs was so successful that other
programs were conducted the same way. The Nanette program was
excellent. All people named Nanette became nurses. Ottos
became otolaryngologists. And so on. It was simple,
egalitarian and effective.
LPI: What are you, Jorge?
JV: I am a hairdresser, of course.
LPI: Well, okay, I guess. Now, you say you’re here to play
some guitars. Tell me more.
JV: You might have guessed that wooden guitars became very rare
and expensive, and the desirable wood still needs more time to
grow. In 2055 we play mostly metal guitars, or guitars made from
discarded Tupper Ware and other plastic containers. So, I came
down here to Staten Island to play wooden guitars across the street at
Mandolin Bros. I hear that Mr. Jay has collected just about all
the remaining wooden guitars in existence. I want to play them,
feel them, and smell them. I’m thinking of buying one and
bringing it back, uh, forward, to 2055. Maybe I can get a few
gigs, though the market for folk music has never been worse than in
2055. No more good topics for songwriters, except love, of
course, and that’s been overworked.
LPI: Jorge, I now have a problem. Should I tell everyone
about what happens? In some ways, it all turns out okay, but lots
of people die en route to better times. Maybe I could change the
course of history and good times would be just around the corner.
On the other hand, maybe nobody would believe me. I feel like I’m
in one of those awful ethics courses and I’m faced with the ultimate
dilemma. What should I do?
JV: LePoisson, have you ever heard the sound of a flat
picked 1934 Martin D-28?
LPI: Uh, no.
JV: Then shut up and let’s go across the street.
LPI: Care to catch a Yankees game after that?
JV: Screw that. I hate the Yankees. Let’s grab a Mets
game.
click here to return to Fishken's
Column
April 6, 2004
Maybe This Year
Maury just gave me a batch of Dodger things from the Vero Beach, spring
training location; cards, envelopes, stationery, things that say
"Dodgers" on them. Perfect timing. Baseball season
begins! You see, I was born in Brooklyn and I was as passionate a
Dodger fan as ever there was. I still wax romantic about
the borough even though I was hauled to Queens at the age of seven,
though the move to Queens did not alter my loyalty to the Brooklyn
Dodgers. The Dodger-Yankee thing, I'll spare you. (Now, as a Red
Sox fan, I continue to express my feelings for the Yankees. The
Yankees are the Republicans, the Dodgers/Red Sox are the
Democrats. The Yankees are "the suits," the Dodgers/Red Sox are
the "working stiffs.")
There are many wondrous things about baseball. The dimensions of
the field and the positions of the players allow for sparklingly close
and frequently arguable plays. As in no other sport (except
cousin, cricket), the defense handles the ball. We love the game
for its "stats," and for its cerebral component, strategy. And
the rules cleverly define minute aspects of the game that make it a
fans' delight. The infield fly rule, indeed. Was that
really a balk?
Especially wondrous is that the beginning of baseball season coincides
with the beginning of spring. It is the season of renewal; the
grass, the trees, the hopes of the team. (That the football
season begins in the fall and extends into winter, and that it is a
sport of brute force punctuated by occasional finesse, is not lost on
avid baseball fans.) It is the time of the inside fastball versus
the dug in hitter, the rifle-armed outfielder versus the speed demon
turning around third, the beer-drinking boor in the bleachers versus
the seventh inning shut off time.
This season will last 162 games, 81 here, 81 somewhere else, maybe a
few more games if we're lucky. At every game in every ball park,
some kid will be there for the first time and that kid will give a
little gasp when they see the field. "Wow." It is not what you'd
expect. It is more beautiful, clean and green than you'd
imagined, more tidy and well-trimmed than seems possible. It is
also a little odd that there is this large expanse of beautiful
property enclosed within the walls and the stands and with clear, open
sky above. You're indoors and outdoors at once.
There are terrific sounds in the ballpark. The ball meets a hunk
of ash wood bat; the best that baseball writers have come up with is
"crack." There's the "pop" when the pitched ball blasts into the
catcher's mitt. Best of all, the "roar" of the crowd.
So, pardon me. It's time to tune in to the game. Hey!
Who's that singing the national anthem? I'll be darned.
It's Tom Paxton. Look!!! Geoff Bartley is playing guitar
for him. Honey, get me a beer and pretzel for this one.
Play ball.
click here to return to Fishken's
Column
March 23,
2004
Wenzel and I took to one another immediately. When two guys
abandon their first names for the professional fun of it, they are in
accord. So it is, Wenzel and me, his pal, Fishken. And
that's merely how the day began; Sunday, March 21st, 2004.
The
preparation for the day can be counted in years, or months, or just in
weeks. After so many years of involvement with Woody Guthrie's
music, and more recently, with the Guthrie Archives and learning more
about Woody the artist and political being, there came the opportunity
to get as close to the music as one can get. (Hans-Eckhardt)
Wenzel had come to New York at the behest of Nora Guthrie to search the
3,000 or so
Woody Guthrie songs to which music
had not been written. He chose. He wrote. He
arranged. He recorded. Ticky Tock. Here he is,
touring the northeast, with Nora, her husband Michael, her daughter
Anna. Wenzel is here with spouse Sansi, guitar player and joyful
guy Steif, and his most significant other, Sarah. They are
invaders bringing a musical culture into every room they enter.
The words of the Dust Bowl Balladeer have been set to the music of a
magically talented and charismatic guy who, at age 47, retains the
energy and verve of a child who has just evoked a noise from an
accordion he was not supposed to touch. Stringy hair hanging down
and a face wide at the cheeks, all punctuated by a wide grin and a roll
of the eyes. This is WENZEL.
First, they invade the Sit'n Bull Pub in Maynard, Massachusetts on this
Sunday afternoon. But first, we entertain the invaders with our
Woody Guthrie songs and readings. "We" are Fishken & Groves,
Tom Driscoll, Bill Kehoe, Hall Kirkham, Ellen & Jake (Two For The
Show) and Richard Taylor. We sing songs and read the words
\\\\with care and respect and we feel proud, because we are in the
presence of Guthrie's daughter, and we honor Woody through her, and we
honor her for her work. At last, after the years and the months
and the weeks, Wenzel takes the stage.
He is just a little nervous, and we are nervous for him. But he
knows that a few chords on the accordion will solve the problem.
They do. The next 45 minutes is filled with Wenzel's halting
English commentary and the songs we have waited for. I read the
lyrics of the Guthrie songs he has selected for his album, so I can
follow him easily. His music is captivating. He is
captivating. He is commanding through his music and his joy at
presenting it. At one point, he bravely takes on the issue of
World War II, a productive period for Woody Guthrie. (Woody
joined the Merchant Marines and even joined the US Army during the
final days of the war. He despised fascism.) Wenzel even
tells us about his uncle in that war and leaves us with his somber
thought that it was a terrible time, and he wisely leaves it at
that. We understand him, as we understand the German, national
shudder at what happened. The moment passes into the music.
And
the music goes on
for four hours. In the middle, Nora Guthrie comes to the stage to
tell us the story of how the project with Wenzel came to be. It
began with her visit to a European conference on political song writing
to reunite with Billy Bragg. Nora and Billy produced two albums
of Woody's lyrics selected from the archives. She was fascinated
by Wenzel's performance and determined to do a project with him.
Nora is the image of Woody with a big crop of Arlo Guthrie-style gray
hair. She is ‘on' all day with stories and opinions and focus on
whatever is going on around her. She listened to every minute of
the music this day. Nora is one of us. She speaks with a
New York, Jewish dialect which, for me, is comforting, like listening
to my mother and her sister, Gloria. I adore Nora. We hug
and kiss when we see each other. She is the collective essence of
all the reasons that I took on folk music back in those days. She
is the present confirmation that I did the right thing. She
teaches me so much more about Woody than books can say, and she pushes
me into deeper consideration of world politics and world
citizenship. Yet, Nora is light hearted, ready to dance, ready to
sing, ready to tell a story. The apple, the tree, all that.
After four hours of this Guthrie festival, the evening comes to an
end. We pack it in, split up the modest amount of money we have
collected, and prepare to part with the hugs and kisses of new
friendship. But, when we step into the street, I am urged to join
the invaders and go to the Colonial Inn for a nightcap. John
Fitzsimmons is playing in the small bar room at this old, historic
joint.
Invasion! Indeed! Wenzel is toting his accordion and Steif
totes his guitar. Nora, Anna, Fishken, Wenzel, Steif, Sara, Sansi, Gerhardt, Deborah barge right in. Wenzel and Steif head
for the stage and set up! Fitzsimmons has no idea what is
happening, nor does he know who is in this cast of characters.
All he hears is something about singing Guthrie songs. So, he
starts singing Guthrie songs as Wenzel and Steif plug in and accompany
him. John is a good guy and lets it all happen. There comes
a time where he decides that Deportees is the song to sing. Nora
and Anna jump up to sing the chorus behind him. What the
hell. I do to. The harmonies are sweet and the audience
loves it. I tap Wenzel on the back and urge him to tell John that
it was Nora Guthrie singing behind him. John is stunned. He
is honored. He is in the midst of a moment.
But this scene comes to an end with the end of John's contracted time
at the bar. So we are out of another place, but onto the
next! (Nora bows out. She has reached the end of her day.)
Gerhardt and Deborah live a few minutes away in Concord. They
reside in a very plush place owned by a couple that is now living at
their other place, in Palm Beach, Florida. The car caravan
follows Deborah and we enter a most beautiful home decorated in a
Spanish style; tiled floors, heavy dark doors and furniture, and rooms
all over the place, big, plush couches and chairs. And there are
two dogs and couple of parrots. The dogs are thrilled to see us,
romping, rolling, laying on their backs to be petted, drooling at the
thought of being fed. Wine bottles emerge along with big hunks of
cheese and whatever food Deborah can fix quickly for this crowd of
invaders. It is a riot of people all huddled around the kitchen
island scarfing down wine and cheese. Two groups form; the German
speakers and the English speakers. Everyone is perfectly happy,
though. The house is alive.
We move into the sitting room. (There must be four sitting rooms
in this place.) Wenzel, Steif and I form up a song circle and
musical mayhem ensues. There are German folk songs, yodeling
cowboy songs and a lot of wine going down. Fitzsimmons has joined
us, so the Irish song is represented, as well. The raucous stuff
goes on and reminds me of those days back in the 70's. Back then,
I was invited to join Ramblin' Jack Elliott and friends for ‘after-gig'
jams at Paul Geremiah's place. Here we were, again, after a Guthrie-esque day.
Finally, the energy level succumbs to tiredness, it takes us almost an
hour to accept the fact that we must pack it in. I have given
Wenzel one of my black cowboy hats to keep. It is officially The
Fishken Hat, and it will travel with him to gigs all over. We
head toward the kitchen; more hugs and kisses. We head to the
driveway, hugs and kisses, and finally, we part. Goodbye my new
found friends. We'll meet again. Maybe in October.
click here to return to Fishken's
Column
October, 2003
October 13, 2003 Fred Cerebrat, folk singer, folklorist and owner
of
Fred's Heads in Hypoluxo, FL, was taken into custody for his own
protection
yesterday. The arrest took place after a couple of dozen unhappy
customers
stormed Fred's Heads demanding that their money be returned for a
product
that, in their opinion, was defective. Fred said the product came
with
no guarantee, a complete list of ingredients, and even a warning about
damage
if the product was improperly used. The product sold like hotcakes on
Sunday.
It was an expensive item; a $125 key ring.
Attached to a simple, steel key ring is the real item in
question.
It is a confectionery made of rock sugar in the form of a cube around
1.5
inches along the edge. That's not so special. What's inside
is.
It is a perfect replica of Ted Williams's head wearing a Boston Red Sox
cap.
Better yet, you can choose from among ‘young Ted,' ‘middle-age Ted,'
and
‘old Ted,' the latter being strikingly similar to what Ted looked like
at
the very end. Pretty ghoulish, actually. Each item cost
$125
and the complete set cost $345. Most of the complaining customers
had purchased the entire set, and most told me they bought the items as
an investment.
Seems that Fred said this was a limited edition and would never be
reissued
after the first run. Fred explained, "This is a simulation of Ted
Williams's
head in the freezer. See. The rock sugar looks like an ice
cube
and check out Ted's head. It's beautiful, man. What's up
with
these people. This is a cool item."
Well, the cool item could not take the heat. Each of the
complaining
customers had had the same experience. The rock sugar melted in
the
unusually excessive heat of this October in Hypoluxo, exposing Ted's
head;
rather frightening looking in its perfection. But shortly after
this
exposure, the head, too, began to distort in the heat. Seems the
head
was sculpted by Cuban artisans out of a hardened sugar and flour mix
and
then hand painted. You simply have to see these heads to believe
it;
the clenched jaw of young Ted, the glaring eye of middle-aged Ted, the
wrinkles
in the skin of old Ted. The detail on the cap is amazing, as
well;
the tilt to young Ted's hat and the slightest sign of a (middle) finger
print
on the brim, the perfectly clean hat of the middle-aged, ball-signing
Ted,
totally unmarred, and the hat sitting too far atop of old Ted's head;
the
nursing home look. The problem was, once the cube began to melt
away,
the head was exposed, and sugar-headed Teds began to distort, sadly,
into
grotesque forms. One that I saw looked like Joe DiMaggio, another
much
like Lou Gehrig and one a bit like Ted's dog, Slugger. One customer
used
the word ‘blasphemy.' These melted Ted heads were pathetic
looking, and not worth a plug nickel. (I surreptitiously picked up
one of them
and sneaked a lick. It was one of the most delicious
confectionery
products I have ever tasted. It was a mélange of vanilla, orange,
lime,
chocolate and raspberry flavors with an aroma that sent me into
something
akin to a drug-induced swoon. The fact that I had licked Ted's
cheek
and nose made me a bit queasy, but another lick to the mouth and I was
in
heaven. I thought, if the head had been intended to be encrusted
within
the rock sugar cube permanently, why would the creator make it so
delicious.
There was something more to this story. I had to find out what it
was.)
Armed only with the knowledge that a Cuban artist has created the Ted
Head
facsimiles, I began my search. I looked in the artists
communities
in Hypoluxo and surrounding towns. I checked out specialty candy
stores,
sculptors work shops, art classes. No one knew of a Cuban artist
who
was capable of creating the Ted Heads that I showed them. Then
some
luck came my way. I stopped in for a cup of coffee at Harv's
Hypoluxo
Baked Oddities. (Ladies, check out their online
catalogue...whew!)
There he was, Mr. Fidel Marcos. (His parents named all their
children
after dictators. It gave them great joy to swat their misbehaved
kids while shouting out the names of these brutal dictators. Go
figure.)
Mr. Marcos, my waiter, strolled over to my table and saw my melted Ted
Head
attached to its ring there on the table. "Senor," he said, "I see
you
have partaken of one of my delicious Ted Heads. Once you get the
rock
sugar out of the way the head tastes great, eh." I was stunned
and
awestruck. "Are you telling me that you made them to be eaten,
uh,
uh..." "Fidel, " he said. "Fidel," I replied.
"Yes.
Yes, of course. That's the funny part. You'd only find out
by
accident that a Ted Head was delicious. Who would suck up the
rock
sugar of such an expensive trinket? Maybe you'd never find out
how
delicious Ted's Head really is. Inside the rock sugar it is
preserved
for ever. Great gag, eh?"
Finally absorbing what Fidel told me, I asked, "But your skill at
sculpting
each Ted Head is astounding. You capture him perfectly, and even
his
appearance differences at different ages. You are an outstanding
artist.
Do you know this? How did you come to be so brilliantly talented?"
"Yes, I do, Mr., Mr..." "Poisson," I said. "Poisson," he
repeated.
He now laid out the story in lengthy detail, some of which I will spare
you,
dear reader.
Fidel grew up amidst the poverty of communist Cuba. Yet, he was a
happy
child who spent much of his time stealing bread and fruit from little
shops
and from customers coming out of the shops. When he would get
caught,
he'd tell his captor that his name was Fidel and that he was protected
by
his name. The captor would laugh, smack him lightly, and let
Fidel
off the hook.
Fidel noticed that there were characters throughout the towns who made
some
money playing guitar on the street. He became fascinated by the
instrument,
so much so that he spent hours, days, months and even years studying
every
movement of the guitar players' fingers and the sound that came from
the
beautiful, wooden instruments. Finally, after watching and
listening
for several years, one of the street players offered to give him
lessons.
Fidel was overjoyed and accepted the offer with a deep bow.
Lessons
began the next day.
Fidel had no talent whatsoever at guitar playing. Though his
fingers
were wonderfully nimble, he had no sense of melody or rhythm as a
player.
He tried for many months but his teacher finally put an end to his and
Fidel's
misery. Rather than breaking the news in a harsh manner, the
teacher,
poor as he was, took Fidel to a nice little place for lunch and broke
the
news. Fidel had no musical talent and he should stop wasting his
time.
As a special ending to the meal, the kindly waiter, observing the
sadness
in Fidel's eyes, gave Fidel a plum-sized chunk of marzipan for
dessert.
The sad boy started to lightly gnaw on the hard confection and his
demeanor suddenly went from sad and miserable to as joyful as anyone
can be.
The taste! The texture! The long-lasting bouquet!
What
wondrous and beautiful food is this? And as Fidel lightly gnawed
away,
there appeared a face on the chunk of marzipan. It was the face
of
the great dictator, himself! "My god," thought Fidel. "This
tastes
great and I can make faces on it, too. After all this time
watching
the street players, I have found my calling. I am a marzipan
sculptor."
Well, you know the rest of the story, at least about Fidel and the Ted
Heads.
Fidel perfected his craft using delicate tools, trained workers to do
the
same, opened a factory in Cuba, created new flavors and textures, and
catered
to royalty throughout the world. For a while, the money rolled
in.
Then, with no explanation, Queen Elizabeth went "no carbs" and Fidel's
income
dropped precipitously. So, when Fidel heard about Ted Williams,
the frozen head, and all that, the confectionery Ted Head came to mind
immediately.
He made 100 sets of Ted Heads and stopped.
Back in Hypoluxo the angry customers have settled down somewhat while
Fred
rests comfortably in the cell in the basement of Hypoluxo City
Hall.
When I told the Ted Head owners how delicious Ted Heads are, most
everyone
took a lick, and most everyone was overwhelmed by the taste. When
I
told them about Fidel and his factory in Cuba and how he'd rowed all
the
way to Florida, their anger subsided. At that point, most of them
figured
they'd better just put the remainder of their Ted Heads in the freezer
to
at least preserve what was left, and maybe steal a lick or two, now and
then.
Better yet, for Fidel, is that they all marched down to Harv's Hypoluxo
Baked Oddities to meet him. Thereupon, they commissioned him to
not only
recreate Ted Heads, but to extend the effort and make confectionery
heads
of other famous baseball players. The Sammy Sosa head appears at
the
end of a corked bat. The Mickey Mantle head resides in a
sugar-shell
liquor bottle. The Wade Boggs heads peeps out of confectionery
chicken.
The Carl Yastremski head is carved from a confectionery item that looks
like
a potato. The Johnny Damon head has a lump over the right
eye.
You can lick the Cal Ripken head every day, but it never seems to wear
down. Jackie Robinson was the first black ballplayer head
included in the series.
And so it goes. Fidel lived happily ever after, and those angry
customers
sit at their computers selling confectionery sports heads on ebay and
selling
heads on the home shopping network. All this because a poor
boy
wanted to learn to play the guitar. It's an American success
story.
How's Fred, you ask? Doing just fine. He and Fidel started
another
business. This time it's miniature, confectionery blues
artists.
When you lick them, you complete a very low voltage circuit which
activates
a tiny audio player that offers up a few seconds of the player's most
well
known vocal and instrumental riffs. Though quite expensive at
$200,
they are selling very well, especially among white blues players living
in
the northeast. We note, however, that ASCAP and BMI are taking a
look at these creations to see if there have been any copyright
infringements.
click here to return to Fishken's
Column
September, 2003
Well hotcha! August is gone, and good-fucking riddance. It
was
hot and it made me very lethargic and verbally sloppy. My guitar
strings
weighed eight pounds each and my John Pearse picks stuck to the
strings.
I hate that. Now, I can feel the strings losing weight and drying
out
and my flatpicks are easier to flip into the audience, like tossing
stones
to skim off the surface.
In a week or two the new apples will be the next thing to pick up
here.
I like the first day of picking, singing Deportees and eating one apple
for
every one I put in the basket. An apple stomach ache is one of
the
worst, with pain heading up to 9.3 on that scale the nurse carries in
her
pocket. "Now look at this scale and tell me how much it
hurts. I'll give you drugs to help relieve any pain."
I moan, "What kind
of drugs?" "Really good ones," she says. "9.7," I
reply. "I'll put in this IV and you can press the button anytime
you want more drugs," says she. "Okay. Can I have another
apple?"
It's the Cortland apples that I like the most. For about a week,
the
bite is almost impossibly hard. It is followed by a cracking
sound as
the flesh is separated by the pressure of the teeth pushing through.
For most
apples, I prepare for the rush of sourness with an anticipatory
recoil.
Not necessary for a Cortland. The balance slightly favors
sweetness
and the initial taste is actually a fast flourish of candy-apple aroma
straight
to the olfactory bulb followed by a supportive tartness that is only
strong
enough to keep the sweetness in its place. Perfect...for two
weeks,
stomach ache and all. Then, one day, the Cortland is too soft and
the
sweet-tart balance is gone. See you next year.
With all the heat and humidity withdrawing, I can get out of these
light
weight, khaki-colored nylon pants and back into my worn out
jeans. Ahhhh!
For about a month I can still wear one of my modestly loud,
summer-weight
shirts and I feel just right, like a Cortland apple. In another
couple
of weeks, out come the long-sleeved shirts, maybe a fleece vest.
I
can now don a cowboy hat on a regular basis. During the summer,
the
hats retain heat, preventing cooling, causing me to pass out
frequently.
Not now, though. Out come the black and beige cowboy hats, yeah!
The pesky insects begin their retreat about now. However, that
last
batch of late-season mosquitoes was as annoying as hell. They
seemed
to live in cars and on porches and travel in squadrons. You drive
off
and have a family of the pests hovering over the windshield. You
start
in swatting 'em and the next thing your driving off the road, throwing
your
front-end alignment out and costing you a tidy $300. Summer..bah!
In the past week, I have not had to listen to the darned air
conditioner.
Though I could not have lived without it these past couple of months, I
will
not miss the artificial cold combined with the constant background
hum.
I have never been able to tolerate extremely hot days. Add
humidity
and I am a wreck, and lack any energy or motivation. The
air-conditioned
room represents both freedom from physical distress, and jail. I'll
take
the machine out of the window sometime soon.
Some people clean up in the spring, referring to the process as "Spring
Cleaning."
I clean up in the fall. It's not leaves that I clean up. I
clean
up "things that bother me." That includes paper that has piled
up,
clothes truly beyond repair and are (to Cheryl) an embarrassment for me
to
be seen in, and, this year, a few characters who annoy me. To
each
item I say, "I no longer enjoy having you around. So,
good-bye."
The bits of paper and worn out pants are unresponsive. The people
give
me a blank stare. To be entirely fair about the matter, I also
renew
relationships with things and people in the Fall. For example, I
tell
Cheryl, "I love you the most of anything. Let's do this for
another
year." Or, "You are still the best pair of jeans ever. I'm
sorry
you were at the bottom of the pile. I will wear you until you are
worthy
of using to clean my car." Or, "My gosh. It is so good to
see
you, leather notebook and old, green pen. Let's head on down the
road
and record some events. I have the best penmanship when I use you
both."
All very refreshing after a hot and humid summer.
The Fall is that time of promise when the Red Sox are still in it, and
that
is the case this year. You would not know it, however, upon
having a
conversation with Manny Ramirez, who 'earns' about 20 million dollars a
year
to hit the ball and frighten fans every time a ball is hit to him left
field.
Fish: Hello,Manny.
Manny:
Fish: It must be pretty exciting to be in the race this time of year.
Manny: Pretty.
Fish: You've made a solid contribution to the team this year. You
must
feel good about that.
Manny: Pretty.
Fish: Some people think that you have no enthusiasm for the game and
that
you would be a better ball player if there were some fire in your,
well, loins.
What do you have to say to those folks?
Manny: Fuck them. Let them try to hit an outside curve.
Fire
my ass.
Fish: Do you want to be in the World Series?
Manny: It makes for a longer season, so it's not a big deal on my
list.
Fish: Seeing as you have a list, what's on it?
Manny: Making 35 million a year and playing for the Yankees.
Fish: But the Yankees like to see fire flaring from their ball
players.
Manny: No they don't.
Fish: Hmmm. Maybe you're right. Thanks for the interview, Manny.
Manny:
And even if the Red Sox take it all this season, my bet is you cannot
even
name all this year's starters. It won't matter if you can,
because many
of them won't be here next year. What is a team, anyway?
The
guys who happen to be on the roster when it happens. That's
all.
It's not as if a World Series win will relieve the suffering from the
past
85 years. Most of those who experienced the suffering are DEAD!
Furthermore,
the Red Sox will then become winners, forever altering the perception
that
brings people into the ball park; this is a great team of players who
make
losing an art form. It's a pleasure to see how they will do it
this
year. Baseball is not what it used to be. It is what it is
going
to be; a sport of mercenaries -- players (free agents) roving about,
looking for the top dollar. Occasionally, a few players stick
around long enough
to actually represent the team, such as Trot Nixon, a non-fluent,
hard-working,
blue-collar player who came up from the Red Sox bowels to earn his
permanent
place in right field.
Fish: Here's to you Trot.
Trot::
The Fall also means football, the single most uncreative sporting
activity
ever invented. The only thing good that ever came out of football
is
Jimmy Brown, who had his shit together then and now. I'd like to
see
a showdown between him and Arnold S(how ever you spell it) using
nothing but
words. Arnold...a guy who confuses the successful building of
body mass
with successfully serving the needs of human beings. Geez!
On
the other hand, I may just have the purpose of politics all
wrong. It
may have nothing to do with serving the needs of the people. You
think?
Spring = renewal of life following winter.
Summer = drowning, drying and rotting out the new life.
Fall = blowing away all the dead remains of summer, cleansing.
Winter = the long sleep.
Ho hum.
go to next entry
August, 2003
I admit to a pretty bad TV habit. My first TV, a 10" Admiral,
arrived
in the living room when I was a wee four years old. It's always
served
to take up the dead space in my thought process, fill it with crap,
yielding....me!
Cowboy movies thrilled me; Bob Steele was my favorite. The Howdy
Doody
show was okay; Princess SummerFallWinterSpring was my first
lover.
Mr. I-magination, which was probably only in New York, was another
favorite,
along with Mr. Wizard. Later came Steve Allen, The Hit Parade,
Red Skelton. Watching baseball was a favorite, and still
is. I dashed home on that fall afternoon in 1955 to watch Johnny
Podres finish off those miserable, damned Yankees. At last!
These days, I surf around the cable stations
with my remote and realize that either I have the attention span of
gnat,
or, TV programs suck, in general. This brings me somewhat closer
to
the topic of this column.
As I clicked onto ESPN2 (a sports station) the other day, there was a
peaceful,
bucolic scene of geese standing quietly in a grassy field, trees off in
the
distance, blue sky, patchy clouds; lovely and serene. An airborne
flock
of geese appeared from the right of the screen, floating along to their
destination,
the sound of an occasional "honk" in the air. All of a sudden,
the
ground literally opened up and camouflage-clothed men with rifles
jumped
to their feet and began blasting away at the flying geese. The
geese
on the ground stood still - decoys! Geese fell out of the air,
plummeting
to the ground, looking broken, dead. The hunters (hunters!) were
delighted.
How clever they were, hiding under ground, using goose decoys, firing
buckshot
all over the sky, scoring. On TV, ESPN2.
So, I went out and joined the local Rod & Gun Club, out here, west
of
Boston. The club owned a huge expanse of land, forest, fields,
streams
and ponds. Mostly, I hung out in the club house shooting down
shots
of whiskey, telling dirty jokes and getting friendly with the guys who
liked
to go out and shoot geese. This was costing me a lot of money and
time,
but I stuck with the plan.
Over the winter, I made up eleven human dummies out of hay and papier
mache
and then purchased camouflage outfits for them. I formed the
faces
so that from a distance they looked like real people, added facial hair
of
different styles, really got into the details. Late one Friday
night, I placed the dummies out in one of the fields that the
club owned, not
too far from the woods. Rifle and video camera in hand, I climbed
one
of the trees about 50 feet into the woods and waited. Sure
enough, the
next morning seven geese hunters strolled along the field toward the
dummies
and just about when they got there, I blasted the hunters with
buckshot.
Some of the hunters fell to the ground letting out howling noises and
grabbing
body parts in a contorted manner. Some of the hunters ran away,
leaving
the writhing hunters on the ground to their own devices. Others
started
firing their rifles in random directions, here, there, up, down,
everywhere.
Eventually, the hunters who had not been hit hauled away those who had,
but
not after smashing my dummies and burning them. The game warden,
I
mean the police, showed up and used a lot of yellow, plastic tape, took
samples
of the shot that filled the ground, took plaster casts of boot
indentations
in the ground, all that. I got it all on video tape. I sent
it
to ESPN2. I am waiting for air play. Fair's fair, eh?
I just turned on ESPN2. Three guys in camouflage suits, carrying
rifles,
are sneaking up on two deer who are quietly feeding on grass in a
beautiful
field, trees off in the distance, blue sky dotted with clouds, crystal
clear
air. BLAM!
I just turned on ESPN3 and watched two guys, each weighing in at about
185
pounds and referred to as cruiser weights. They beat the crap out
of
each other for 30 minutes, blood everywhere, swollen eyes and jaws,
exhaustion.
The guy in the black trunks won, split decision. Great
fight.
I waited for the Main Event, heavyweights. Maybe I should get
into
shape.
go to next entry
June, 2003
Lying, cheating and
plagiarism
are the topics that dominate the news these days. Martha
Stewart
sells stock the day before bad news about the company is to be
revealed.
She declares her innocence with regard to insider trading. Jayson
Blair,
a reporter for the prestigious New York Times, falsifies interviews and
lifts
stories from others. He claims mental illness and various
resident demons.
George Bush tells us that Saddam Hussein has weapons of mass
destruction.
He says we'll find them, eventually. Everyone lies, I
think.
There are lies about little things. "Who ate the last Ring
Ding?"
"Not me, mommy. It was cousin Emily." There are lies about
big things. "Did you give the order to kill these thousands of
people that
we found in these mass graves?" "No siree, Bob. I seek
peace
and harmony among the different peoples within my country." And
there
may be cheating about things that don't matter, but are of importance
to
our national psyche. "Hey! Your bat is corked. Did
you
use a corked bat to hit all your 505 home runs?" "Nope.
Xray
my other bats. Ain't no cork in 'em." As usual, my
curiosity
was aroused so I undertook further study of the matter. What are
the
origins of these behaviors?
I decided to go with the reasonably well established fact that ontogeny
recapitulates
phylogeny. That is, as organisms develop following conception,
they
pass through the physical stages of the evolution of their
species.
The 'proof' comes in the form of human fetuses that look like
salamanders
at some point, and have gill slits at another time. (Creationists
say
that's humbug. God created us in our finished form. Maybe,
they
say, God made the first Eve with gill slits and reconsidered.
"These
gill slits are nice, and all, but I like shapely, firm breasts
better.
Breasts and lungs -- that's the way to go!" God and I agree on
this.)
Maybe, I reasoned, we also develop lying, cheating and plagiarism
behaviors
in the same manner. I started out by watching babies and
children.
(I was denied prenatal observation permission by every expectant mother
I asked.)
I began my study by visiting maternity wards of hospitals. (Are
they
still called 'wards?') Without too much intensive study, it was
pretty
clear that newborns do not lie, cheat or plagiarize. If anything,
they
tend to be entirely honest. "Are you hungry, Franny?"
"Yes.
That is why I am crying." "Did you eat the last Ring Ding,
Marvin?"
"I cannot lie. What's a Ring Ding?" Nothing here but honest
babies.
My next observations were of babies around three months old. To
get
a large enough sample, I went to parks and child care facilities.
When
I told the police that I was a researcher, they provided me with a
guard
who followed me wherever I collected data. Here's what I
noticed.
The babies, themselves, continued to seem pretty honest, but the
mommies
and the daddies were clearly dishonest. "What an adorable child
you
have there Stella." This was in response to looking at one of the
ugliest babies I have ever seen. I then noticed that the ugly
baby looked at
its admirer in disbelief. The ugly baby then went into what
seemed
to be a contemplative moment. It could have been contemplating
the utility
value of lying. "I know I'm ugly. Maybe I should just lie
to
everyone, and myself. Maybe I can make up something like, 'it's
what's
inside that counts. Internal beauty is where it's at.
Hmmm.' "
This could be the first step in the development of lying, cheating and
plagiarism.
I made observations of lots of babies and I think I saw many examples
of
the first notions of babies contemplating the utility value of
lying.
Plagiarism is also apparent in babies. We've all seen it, but no
one,
until now, has called it what it really is, plagiarism. An
example
is the phenomenon of mass crying. Baby A begins crying for some
reason.
People come rushing to the baby's aid giving it food, picking it up,
making
cute noises. Babies B....nX (that's some kind of statistical
notation)
now begin crying. Why? Why not? Look at all the good
stuff
that happened when Baby A cried. Many of us continue this
behavior
through adulthood. It all starts as plagiarism around age three
months.
By the way, I reported this in the Journal of Watching Babies, Volume
IV,
1999, pages 12-29.
I'll cover the next baby development period briefly. Babies lie
more
and more as they get older. By the time they are facile with the
use
of language, they use it primarily for lying. Eighty percent of
babies
responded to "How are you this morning?" by lying. "I'm fine,
great,
really terrific." Only 20% didn't lie. "Screw you.
Leave
me alone. I hate you and what you represent." This brings
us
to the age of about 1.5 years.
It gets worse as the years go by. Lying becomes the predominant
response
to all anxiety-laden situations. "Did you make this project
yourself,
Timmy?" "Hey! What are you saying? I did it
myself.
My father did not help me." "I did not steal the CDs. They
made
me do it." "Hey, I just drove the car. They went into the
bank."
"I love you new poem."
By this time, lying, cheating and plagiarism are firmly
entrenched.
But I have to go a bit further to see if this behavior evolves and,
thus,
appears in our evolutionary antecedents. As a first step toward
this
end, I made a visit to New Zealand where, I had heard, there dwells a
band
of prehistoric, bi-pedal, hirsuit characters that look a lot like we
do.
Their jaws stick out more than ours and their foreheads are angled back
more than ours, but their eyes 'say,' "Give me a chocolate bar and I'll
tell you
what you want to know." Here's what happened on the trip.
It took a long time to get there. I waited four days for a flight
that
would allow me to take my guitar on board. I stayed over in the
San
Francisco airport for another three days because I was doing so well at
busking
for dollars. There was another layover in Hawaii. You
know.
Finally, I landed in New Zealand. I knew it was New Zealand
because
I did not see any snakes. At the airport, I signed up for the
"See
Pre-Historic Man" tour, and off I went.
I can tell you folks absolutely authoritatively that prehistoric man
lies
and plagiarizes. I'm not sure about cheating, since I could not
ascertain
a moral code among this group of prehistoric folks. But boy, do
they
lie. I saw one fellow who came home to his mate after a fishing
trip.
The mate looked at the fellow quizzickly as if saying, "Where is the
fish,
Big Eddy?" Big Eddy looked at his mate, held his hands wide apart
as
if to say, "You should have seen the big one that got away." I
was
amazed. Man was lying about his fishing exploits tens of
thousands
of years ago. Wow! But I needed more evidence before
submitting
an article to the Journal of the Origins of Things.
To my further amazement, I found evidence of plagiarism. I
observed
another fellow, who I'll call Simon because he reminded me of Paul
Simon.
(It was not just his looks. When I played guitar one day, he
reached
out and fretted one of the strings and created a wonderful variation on
the
A minor seventh chord that I was playing. He showed me how to
move
it up the neck, as well.) Simon returned home from a 'boys night
out'
in the back woods. He and his buddies got mashed on some fruit
beverage
they'd created by allowing the fruit to sit in the sun for a couple of
days. Apparently, Simon had told his mate that he was going out
on a hunting trip
during which he had hoped to bag a bunch of those bird-reptile type
beasts
that taste so sweet and succulent. Upon arriving home empty
handed,
his mate looked at him suspiciously. Simon, head drooped,
extended
his hands wide apart as if to say, "Honey, you should have seen the one
that
got away." Yes, Simon plagiarized Eddy's story! I had found
all
the evidence I needed to conclude that lying and plagiarism among us
humans
has antecedents in our evolution. But how far back does this go?
I am now beginning to plan my trips to observe 'lower' animals, like
beaver,
birds and lobster to determine if lying occurs among these species, our
evolutionary
antecedents. Where does it start? My theory is that it
begins
with salamanders because they look like us at some point in our
prenatal
development. Prior to the salamander it was all honest and above
board.
On the other hand, some of my esteemed colleagues believe it all starts
at
the cellular level with cell replication. They say it's the basis
for
plagiarism. I have not seen cells that lie, however. Once I
get
some more of your tax money, I mean, grant money, I'll let you know the
complete
hierarchy of evolutionary lying, cheating and plagiarism.
But for now, I leave you with an important question. If lying and
plagiarism are genetically predetermined, WHAT'S ALL THE FUSS
ABOUT?
We should just learn to live our lives differently. Adjust to it
accordingly.
We'll have to assume that we are being misled, deceived and
misinformed.
It's a shame, and that's the truth. I love each and every one of
you.
Bye, for now.
go to next entry
May, 2003
The items that presently amuse me are,
[1] Old man's face falls off mountain
in New Hampshire
[2] New York Times reporter resigns
after repeated incidents, and warnings, about plagiarism and fabrication
[3] Contests among folk artists
who generally purport to believe in the equality of all
[4] The counterpoint between the
development of weapons of mass destruction and non-lethal weapons that merely
cause lots of pain
[5] The observation that entertainment
personalities seem to be getting younger, thereby seriously constricting
the market for young hopefuls
All these items are intimately related, of course, except for the old
man's face falling off the mountain. The face fell off the mountain
because he could not ‘keep up appearances.' (All the other items are
really about keeping up appearances in ways that I shall make up a little
later.) It was a tired, old face and sick of being the symbol of some
hunk of territory whose perimeter was arbitrarily defined in the first place.
Had it been asked, the face might have preferred to be in Montana or Idaho
or Canada. (I like Canada. As pointed out by my friend CG, there
is no national cuisine in Canada. The food is either English or French.
But this is okay. It is not confusing. Now that I am there, what
is American cuisine? Is it the thick steak, potato of some sort on
the side, an uneaten vegetable and apple pie with ice cream? Can you
call that a national cuisine? I can't. I think the national cuisine
is take-out, or whatever kind of food we choose to eat out on the most Sunday
nights during the year. Then there's that non-descript cuisine called
Continental. I think that's supposed to be European, as opposed to
English, the latter being an island, and Europe being referred to as the
continent. "Shall we take the chunnel to the continent today, dearie?
We can get a decent meal and be home by midnight." Continental cuisine!
What a joke. It's a hunk of meat or fish or fowl with a carbohydrate
and an overcooked vegetable served on nice plates with nice utensils at a
table with a white tablecloth. It costs $4.00 more than American food.
But I have seriously digressed.) For that matter, had it been
asked, it might have revealed its true gender. We are merely assuming
it's male. Otherwise, we'd have to refer to it as ‘a handsome woman.'
Handsome woman, continental cuisine--there's something going on there.
Maybe it wasn't such a serious digression, after all.
Now, you ask, what is the common feature among the other four items on
my list? Simple. They are all about being good, better or best.
I assume that a reporter would copy material, or fabricate material,
because he felt his own material was not good enough. This is a slippery
topic. I can't quite get a grip on it. Why would someone enter
the field of journalism and steal material from other journalists?
I mean, what was the primary consideration for going into journalism?
Was it to be the best journalist, discovering you're the worst journalist,
then stealing from the best journalists to make yourself better? Slippery,
eh? Fabrication? Don't get me started!
Countries are now developing non-lethal weapons for war so that they
can impose their will upon others who remain alive and then tell them,
"See. We are better than you are. We even kept you alive to
tell you. We used to want to kill you and tell everyone else that
we are better than you. But now, we even want to tell you that we
are better than you, so we kept you alive...to tell you." I love
this kind of reasoning. So, eventually, the end result of a war will
be [1] a little damage to a country's infrastructure but [2] no death to
soldiers or civilians. There'll just be a lot of people with lots
of black & blue marks. Bruised, but listening. "We
are here to tell you what to do. Do as we tell you, or else we will
bruise you even more. It will hurt, but you won't be dead. So,
the best thing is to do what we tell you to do."
Entertainment personalities are getting younger. Just watch a movie
or TV or something. Everyone has fewer wrinkles than last week.
It seems they are all shooting some poison under their skin that removes
wrinkles. This is apparently better than pulling the skin back and
attaching the extra stuff to the back of the head. When the skin pulling
method is used, peoples' eyes eventually pop out and stare peculiarly at
the camera. They have this insane look. Yet, we recall them as
endearing and warm human beings. It's difficult to put this new look
and the old, endearing nature of the person together. And their noses
would get pointier as more and more skin was zipped in the back, which I
like, personally. But those eyes are a bit frightening to see.
Look at Wayne Newton, but not for too long. I'm just going to let my
skin fall down in the old fashioned way, gradually, then more quickly.
The young kids can have all my gigs.
Finally, the item I find most unusual and distasteful; contests among
folk singers. I really thought that folk music was about the equality
of man and the recognition that some are meant to sing, others are meant
to build boats, yet others are meant to discover the principles that explain
how the universe functions. What the heck has happened? There
are contests for best guitar player, best songwriter, best performance by
a solo or group. Then, following the receipt of the award, that individual
or group dashes madly about the country collecting its cash award, but only
for about a year. After that, the individual or group is replaced
by the next award winner. Notably, many of these individuals or groups
are not heard from again. Everyone has enjoyed them for a year and
they are then gone. But if they do stay around for a long time, even
if close to invisibly, they win another award for lifetime achievement.
My solution? People should stop entering contests. Pete Seeger
stopped. He just goes out to play.
Now, I know there is no solution to the good, better, best issue.
It is part of what evolved, and maybe we would not have evolved as what we
are without it. Perhaps it's akin to violence. It got us here.
We know it's bad. But we seem to be very limited in our ability to
eliminate it. However, when you raise your hand to strike someone,
if you have the will you can count to ten and hold back. Folk friends,
count to ten before entering the next contest. And keep in mind that
your skin looks just fine.
go to next entry
April,
2003
I refuse to write about
this specific war, or operation, or whatever it may be. Suffice it
to say that we have virtually guaranteed ourselves the sub-two-dollar gallon
of gasoline for the next couple of decades. Likewise, the French
have guaranteed themselves the five-dollar ‘gallon' of gas for the next
couple of decades. Merci beaucoup.
What is of more interest to me is that there are rules of war, strict
definitions by which we kill and maim, followed by rules of how we must
treat people who are captured or injured, even if they are the invaders.
It's all part of the Geneva Convention. That, in itself, is suspect.
Who would hold a meeting in such a dull place like Geneva? Let's
examine some of this foolishness.
There are rules about weapons. I enjoy these rules. Nuclear
weapons are not allowed. Now, in the days where wars were about
territory, this rule makes sense. Who would want a piece of property
that is thoroughly poisoned for thousands of years to come? Also,
nuclear bombs kill too many people all at once. Instead, it is permissible
to kill fewer people at once with, say, a MOAB (Mother Of All Bombs).
I don't know how many MOABs equal one nuke, but MOABs are considered ‘clean'
bombs, ask anyone who has been struck by one. "The bomb really hurt,
but I didn't glow afterwards." So, huge, conventional bombs are okay.
Small nuclear bombs are not. The issue of how many people are killed
at any one time is not really important.
Chemical and biological weapons are not permitted. They cause
unnecessary suffering, prolonged death, horrifying ailments, writhing
on the ground, stuff like that. Conventional bombs and hail storms
of bullets, missiles, etc., are okay presumably because shrapnel that
takes off body parts is not particularly horrifying and death would come
quickly. "He didn't know what hit him." (Actually, he did.)
It is deemed better to be maimed and alive than killed by chemistry or
biology. That's an interesting conclusion. I'd like to see
the data that led to it.
Then there's the assassination game. It is not permissible to
kill a national leader outright. Instead, one must hope that he/she
is destroyed by a cluster bomb and is buried under a pile of rubble.
However, if the leader of a reputable country says that a leader is not
reputable, it is okay to kill him by firing a shot through his bedroom window.
On the other hand, if the disreputable leader is committing genocide in
his country, he/she cannot be killed. Rather, the World Court will deal
with the leader. The leader must be captured alive and dragged into
court where he/she declares, "I do not recognize this court."
The other situation these days is that some leaders do not have national
affiliations. I think we're allowed to kill those types, no questions
asked. In fact, I think their dead bodies can be broadcast on TV
even if they have been shot in the eye and really look, well, you know.
The treatment of prisoners of war is another of those mandated issues
to emerge from the Geneva Convention. Soldiers who have just tried
to kill you must be treated really well. Decent food and medical
care must be provided. It is not permitted to march prisoners around
for propaganda purposes, or to show their scared faces on TV or in the
newspapers. Why? Because that makes us feel badly when we
see our own under threat. We'd prefer not to see this stuff.
Torture is not allowed, of course, but the captor can ask all kinds of
questions of the prisoner. The prisoner, likewise, need not give
any answers, but they are not allowed to lie about their name, rank or serial
number. Really. Keep in mind that none of this considers the
social and cultural history of the countries at war. For example,
we here in the US love the death penalty but European countries frown upon
it. Some countries find that finger removal is a good way to control
criminal behavior. Others go for the whole hand or just the external
ear (called the pinna, by the way). So, the questions becomes, is
it torture when you merely apply part of the criminal code to soldiers
who have invaded your country? I guess if anyone invades the US we
will merely kill them, no questions asked. But we could not do it
by lethal injection. That would be akin to chemical warfare, which
is prohibited, though one could argue that it is a reasonably pleasant
form of death. We'd have to step back in time and use firing squads,
as inefficient as that may be. But they are pretty good to watch on
TV, and they sort of comply with ‘death by shrapnel,' which is allowed.
So, let's step back and see what humanity has done.
We accept the fact that we have to fight with one another. This
is probably correct. The limbic system in the brain isn't there
for nothing. Give it a little electrical juice and our aggressive
side pops right up. Since we have to fight, let's have some rules.
And since we are so smart as to invent really terrific ways to kill, we'll
have to have rules for that. Personally, I can see this going one
of two ways.
The first way is similar to my opinions about sports. You may
recall that I advocate the use of any and all drugs by all sports participants.
Let's see how far the human species can take it, I say. Drink up.
Shoot up. Run, you two-legged human, run! But it's football
that sets the example here. In our brand of football, these huge guys
take the field and opposing teams make every effort to disable one another.
The observers drink beer so as to become aggressive like the players,
and the alcohol dulls them to the grotesque scenes of injuries on the
field. Yet, there are rules of just how far players can go in their
efforts to disable one another. Imagine it! A player can't
pull on another players face mask. Poppycock, I say. Let's
have no such rules whatsoever. It's four downs per possession, first
down and you keep the ball, 6 points, extra point, field goal, okay.
But what you do to get the points, anything goes. Face masks, clipping,
calling your mother names, all that is fine with me. So, applied to
war, anything goes. Screw the value of human life. Armageddon?
Bring it on, baby! Let's drop the big one now!
The other direction is far more genteel, though it still recognizes
that we humans have a tendency toward aggressiveness, territoriality,
discrimination, anger, yelling, possessiveness, irritability and so forth.
In this approach, killing must be limited to one death at a time, using
a weapon that requires skill and proximity to the enemy. This form
of warring would also preserve all the stuff that we like so much; buildings,
computers, asphalt-paved roads, refrigerators, flush toilets, etc.
According to the Brooklyn Convention, permissible weapons are as follows:
the pea shooter, the linoleum gun, the BB gun, the 1.5 inch firecracker,
the sling shot, the bow and arrow, the knife, the blow dart, the big stick,
the poison-coated ice dart and the cinderblock. That is, weapons of
individual and personalized destruction are allowed. Mass destruction
is now defined as ‘any number of deaths more than one.' (By application
to the Convention, you could be permitted to use The Car as a weapon if
you agree to limit killings to one at a time.)
I am torn between the two approaches. In the first, we'd get
it all over with soon. It's the anticipation I can't stand.
In the second, the killing would become so personalized we may find we actually
have no taste for it and cut it out. Let me think about this.
go to next entry
February-2,
2003
Political and economic
events cannot be predicted very well. That old saying, ‘history
repeats itself,' is just a lot of baloney, unless you go for the really
obvious, big stuff; peace will be followed by war, the rise
and fall of this and that, etc. Remember a few years ago that
some historians were saying that ‘history is over,' upon the fall of Communism
and the apparent democratization of everything (except good old Fidel
down in Cuba. What a guy, eh?) It looks like history has started
up again, and the next phase is ‘Christianization versus Muslimization'
of the world. Political history may be over, but religious history
is just starting up, again. Once that is settled and one religion
rules the world, and history is once again declared to be over, there will
be world-level debates about the best economic structure, leading to divisiveness
over capitalism, socialism and communism (I doubt that there will be any
‘ism' that includes the term ‘human,' however.) This will result
in competitive systems, leading to war, then the choice of a single system,
which will prove to have flaws allowing unscrupulous political leaders to
take advantage of billions of people, who will then rise up to move the history
wheel, once again.
Why is this all happening? I have no idea. But it is
as boring as hell. The only thing that makes it interesting is that
we, who are alive just now, are experiencing it. If you were dead,
and watching from the great beyond, you would not even bother to turn on
the news. It is all that boring. I, myself, view it from a position
similar to being dead and find it all boring. What is interesting to
me is that we all sit around griping about the situation and follow that
up by doing...NOTHING. I'm figuring that the world economic situation
will decline precipitously in the next couple of years to the point where
we, the rich and well-fed of the western world, will be the ones on videos
with that needy look in our eyes, like the folks during the dust bowl of
the 1930's, during the great depression. Wars will be going on just
about everywhere as the fight for wealth masquerades as the war for ‘god.'
We'll find ourselves in some form of dark age. I will watch from the
dead zone, and find it all very BORING.
So, allow me to address something else.
Duct Tape. It is truly beneath our collective dignities to
even discuss duct tape and the reason behind its recent boom in sales.
Suffice it to say that you should simply put ‘duct tape' in your search
engine and let ‘er rip. You'll find duct tape uses galore, products
made from duct tape, colorful duct tape, and lots more. I'm using it
it to remove the pesky hairs from places where old men find them during business
meetings. Does that happen to you, too?
Cellophane Tape. It's taking quite a beating because of the
Office of Homeland Security. As a result, its price has dropped drastically.
Fun and affordability. Try the stuff with the glue on both sides.
Very entertaining. Great for closing one nostril while leaving the
other open.
Mucilage. What in heck is mucilage. Oh, yeah. That's
the gunk that comes in an oddly-shaped bottle with the rubber stopper/applicator
that you smush around to get the stuff onto paper, or any body parts
that you need glue. It doesn't work. (There's someone on
the ‘net that has devoted a site to an anti-mucilage campaign.) You can't
get off on it. So, don't even try.
Elmer's White Glue. Who is Elmer? Good old white glue
with that reminiscent odor is nice. You can use it to put layers
of glue on your skin and peel it off to get those little skin orgasms.
There's always some extra that comes out of the hole you're filling.
Non-toxic, non-addictive. Hardly any fun at all.
Airplane Glue. Really the best for the skin>orgasm thing.
When you remove the glue from your palm, WATCH OUT! That tickle
goes on all over the place. Love it. And there are more benefits,
as you surely know. So, go out, get a kit for a PBY-42 (make sure
all the decals and the landing gear are included in the box), work in a
small, enclosed space, and have a blast. Light up a big, mother, fat
J and your eyes start dancing wildly. Wow...look at those decals.
Yeah. I laugh when they tell me about brain cell loss. Ha ha!
Ha, ha!
Space Ship Glue. I ain't going there.
Krazy Glue, The Liquid. No good for the skin>orgasm thing.
Trust me. But really good for pinning back babies' ears.
Lasts about a week. Fast actin', like Tinactin. Unpredictable,
like history.
Krazy Glue, The Gel. Stays in place better than the liquid,
thus, there is less fun involved. Too predictable.
Those Little Balls of Stuff That Hold Your Mail Together. A
real favorite of mine. Neat and clean. Use it once and that's
it. Fun to remove from the paper and then roll in your hand.
Nice resistance feeling when bitten between the upper and lower front teeth.
Don't try the side teeth, however.
Epoxy Glue. You get two tubes of stuff that you mix.
Then, you wait 14 nanoseconds, say a prayer, and nothing happens.
Nothing. I don't get it. But the packaging is really great.
It looks like it should keep things stuck together forever. I can't
get it to work. So, after I use it, I go for a real orgasm, which
is effective for mitigating frustration. (I used to get the same
frustration when I was late for appointments, dates, things like that.
The frustration would come on in the most unusual way. Did you ever
get that? Pretty cool, eh?)
Hot Glue Gun Technique. I love this stuff. Ready!
Aim! Fire! I built my kids a doll house just because I liked
using the hot glue gun. Well, I liked the kids, too. Don't get
me wrong. But there's something about the glue gun that kids just
can't match. You know what I mean? That glue gun...a little
squirt and it's stuck for life. Hey, that's just like having kids,
isn't it?
I'm stuck for anything else to say.
go to next entry
February-1, 2003
Chicago, IL In
a quiet ceremony today President Bush signed the papers that finalized
the deal selling the United States of America to Oprah Winfrey. "This
is the ultimate manifestation of both capitalism and privatization, the
basic tenets of our great country," said Bush, looking sheepish, as well
a bit like a deer caught in the headlights. "And our credit situation
required that we find a buyer who could pay off our debts so that we could,
once again, get on with business." Bush continued, "The search for
a buyer moved along quickly. It identified Oprah not merely because
she now holds 72% of the world's wealth, but because she has now embarked
on a mission to provide therapy to every individual in the United States.
The choice was obvious. The combination of money and caring could
not be denied."
In a hastily prepared speech, Ms. Winfrey merely hinted at what
the future would be. Notably, she strongly denied that the name
of the country would be changed to the United States of Oprah Winfrey,
but did not deny that a name change was under consideration. She
said she would be head of state but was not willing to say that she would
be (referred to as) the President. She blushed when the notion of
a monarchy was suggested. The color? Purple. Some possibilities
for the future included:
> The Oprah Book Club as the basic text source for all public
schools in the country
> Dr. Phil (McGraw) as Chief of Guidance for Everything
> Modification, possibly elimination, of the existing judicial
and legislative systems. Dr. Phil will take care of 'all that
stuff.'
> A unified currency system with all bills portraying Oprah.
Denominations would correlate with Oprah's varying weight over
her professional career. The smallest paper denomination, and thinnest
Oprah, would be the $100 bill. Coins would be adorned with
guests from her now world-wide broadcast show. David Letterman,
though never a guest on the show, would be placed on the 'ha-penny,' a
non-negotiable coin that could only be used as the brunt of jokes.
New coins with the faces of citizens would be minted if citizen stories
were sufficiently touching, and if the citizen responded to therapy provided
by Dr. Phil.
The capitol of the country would move to Chicago. Utterances
(!) of mooing (not booing) were heard throughout the room when this announcement
was made. The national food would be biscuits and gravy, said Winfrey,
and mayonnaise would replace ketchup as the national condiment.
The press conference ended with an announcement that Winfrey would
not be naming not cabinet members right away. Instead, she would
focus on developing more national symbols, and finding more touching stories,
that would bring our country together. These will be published
in book form, of course, and placed in every library in the country. It
was hinted that Martha Stewart would be in charge of naming all the symbols
related to homemaking, such as the national satin sheet color, the queen
size bed as the national bed size, to name a few. As she left the room,
Ms. Winfrey waved and, in a ministerial manner, said, "God bless our country.
I'll announce its name next week."
go to next entry
January, 2003
I am really confused
about public radio. What's public about it? Is it that I,
a member of the public, can listen to it? Is it that the money
to support it comes from the public, not from the private sector?
But aren't many of the companies in the private sector publicly owned (or,
held, whatever that means). It now looks like public radio accepts
money from the private sector, like publicly owned car companies and cheese
companies, publicly ‘held' companies that make condoms that glow in
the dark, and companies that make frozen breakfasts, yum. Aren't
they also taking money from the real private sector, like from the Mrs.
Eleanor Strickland-Deutsch Private Foundation for World Peace. (That's
the outfit that sends deodorant and perfume to poverty-stricken countries
in really hot climates. "There's no excuse for poor people smelling
badly," says Mrs. Strickland-Deutsch.) When I give some money
to public radio, I actually think it's really a private act, and I own
myself, sort of, so I'm giving private money with a personal self interest
to public radio. You can see my confusion..private, public, Mrs.
Strickland-Deutsch.
This confusion persisted until I finally heard broadcasters
using the term ‘non-commercial' radio. Ah, now I began to get
it. The stations will not broadcast commercials, those short snippets
intended to sell you products and services. So, I did a test.
I listened and listened and listened. Sure enough, I did not hear
commercials during the shows. I heard them at the beginning and
at the end of the shows! Saab, Ford, Chrysler, Fleet Bank, something
called TIAA-CREF, Martin Guitars, and a bunch of foundations. Public
(or private), non-commercial (or commercial) radio confuses me.
Given that public radio now accepts corporate money...public,
private, whatever, why in heck are they still asking listeners for
money? It is because public radio does not wish to be influenced
by the corporations and their private interests. But many of
these corporations are publicly held. Do you get my drift?
I don't.
Anyway, now that I'm listening to this stuff I hear lots of
news from people with British accents and American broadcasters who
are obviously a lot smarter than I am. (They pronounce words correctly
all the time, speak with a soothing drone, and they constantly try to
teach me something. I like that.) What I am detecting is
that there are almost always four sides to every story. The first,
and most important, is the NPR (National Public Radio) side. That
is the academic, liberal, somewhat left of center side of the issue;
in other words, the correct side. The second most important side
is that of the individual upon whom the story is focused. (Remember,
the broadcaster is really the most important party, "all things considered.")
The third side of the story comes from the people who are being politically
and economically suppressed by the guy who is the focus of the story...the
bad guy, not the broadcaster. (Stick with me here. This can get
confusing.) Then there is the fourth side, the George W. Bush side.
Basically, this side can be summarized as follows. If the guy who
is the focus of the story in any way threatens the well-being of the
average US citizen, who is, as you know, entitled to a gallon of gas for
about a buck and half, we will place an embargo on that individual, inspect
him for any darn thing we want, and declare war on him. But, if
the bad guy backs off, we will give him money and ‘protect' him.
(Sort of the protection game backwards.) Listen enough, you'll see,
there are always these four sides.
The conclusion I come to is that we need something more than
public radio (and public TV) to express the people's ideas. Happily,
we have it. It is the medium you are now reading, using for learning
and communicating, having sex with, listening to, and lord knows what...it
is our own (own, get it) internet. In what other medium could I
spread my message to millions of people? Notably, the internet
is thoroughly infested with commercials, but that commercialism fails
to undercut the overall force and impact of a ‘people-owned' internet.
Pop-ups? A little annoying, but along comes a company that writes
software to prevent them. Porno ads in my email? Delete ‘em...or
take a peek! Need an opinion? Oh boy! Just ask.
Does the internet allow all kinds of opinions even THE BAD ONES?
Well, yes. Have you heard all the internet broadcasting stations?
There's every kind of music and not a single commercial, nor is there
a contribution from Mrs. Eleanor Strickland-Deutsch. (Keep your money
and your deodorant, baby!) THAT'S PUBLIC RADIO, FOLKS. Listen.
go to next entry
December, 2002
Dear Santa,
I have been a good boy this year. Before I tell you
what I want, want, want, you should know all the good things I did
this year. First, I did not write a single folk song. I
had lots of things to say about my personal problems, but I chose to keep
them to myself and to not bother innocent audiences with them. Second,
I did not play banjo on stage. I do it only in front of my wife
and mother-in-law. ( They don't like it.) Third, I gave two mercy
gigs to performers. One sang about his personal problems and the
other played the banjo. These were my major acts of kindness. Fourth,
I told Buffie that I really liked her melodica playing but it would really
look goofy on stage. This saved her a lot of pain. (I really
wasn't crazy about her melodica playing, to be honest.) Fifth, I
helped a blind banjo player to cross the street. (I later learned
that he didn't want to cross the street, but at least he didn't get hit
by a car.) Sixth, I worked hard to behave myself at folk clubs by
not yelling out things like "yeah!" and "right on, brother." They sound
insincere, anyway. Seventh, I learned how to laugh so hard that I cut
off the oxygen to my brain and have near death experiences. I now can
do this while driving on the New York Thruway and passengers think it's hilarious.
It is. Eighth, I learned to sing better by fooling with my tongue
and the shape of my mouth. When I get the combination right, I can
initiate a tickle that goes up my right leg and right to 'you know where.'
I now do this at least three times during a one-hour set. It's
almost as good a cutting off the oxygen to my brain. I'm hoping I can
send out this tickle remotely to others so that they can enjoy me as much
as I enjoy me, so to speak. Ninth, I established the baseline for
the proportion of times that I tell people what I am thinking versus the
times I hold my tongue. The baseline from this past year is 96 to 4.
Some folks advise me to always say what I'm thinking. Some advise
me to hold my tongue all the time. All I can do is keep track and
report how I'm doing next year. So, all I mean to say is that I
have established the baseline but have no idea what it means. Tenth,
and the last good thing I did this year, was to help a blind banjo player
to cross the street.
Now, what do I want? I want to be rich beyond belief.
Then, I'll be able to have experiences about which I can write
lots of new folk songs. I would like to have more power. I
have a little bit now, but want more. You'd think wealth and power
would be enough. Right? Uh-uh. I want to be able to
flatpick so freaking fast that the guitar breaks into flames. Yeah!
I want to win the National Flatpicking Championship, then hand
the trophy over to Marlon Brando. Then, it's on to the banjo!
Actually, now that I think about it, all I really want is
to see my kids have lots of good years ahead of them. Here's to
you Matthew (and Christine), Amanda, Jessica, Alyssa (and Franz) and
grandson, Hunter. Here are wishes for happiness to my wife Cheryl
and her mom, Kathy. Good health and happiness to Buffie and her
mom Alice. And best wishes for happiness to so many friends and
relatives. Please be patient while I learn to play this DAMNED BANJO!
Love...Fishken
And while we are still in 2002...
Any day now, a whole bunch of countries and cultures will
flip the page on the calendar to the year 2003. Therefore, it's
a good time to reflect on just how the new millennium is going.
This should probably be done every couple of years so that we'll have
a good record of the thousand years leading up to year 3000. I'll
do this.
The first problem encountered
in this, the first installation of this record, is defining how many
years we've spent in the new millennium. It's either two or three.
For now, I will leave this topic alone, and quote my friend GB, "who
cares?" This being said, I can move on to the more important,
one word summary (upon which I will expand) for the new millennium;
WHATTHEHELLISHAPPENINGHERETHISSUCKS?
First off, I was led to believe that either the world would
end or that all things dependent on computers would go awry.
I was looking forward to either the end or the chaos, and neither occurred.
(I am most at ease during chaos. There's little I can do so I
just relax and enjoy.) So, for me, the millennium starts off disappointingly;
I should not have been here, or I'd be having trouble writing this at
my computer. Therefore, DISAPPOINTING, is my first judgment of
the new millennium.
To reference this opinion, I have compared the beginning of
this millennium with the beginning of the previous millennium.
Most folks said that the change from 999 to 1,000 (though some held
out for the change from 1000 to 1001) was also disappointing. They
had expected the world to end, but no go. Of course, we cannot
yet make the case for a generality...not enough millennium changes on
record. Some feel that the change from 1 BC to 0 AD was pretty
exciting, the new messiah and all. But that did not seem to last
all that long. After 33 years they crucified the guy. What
does that say about the new millennium? Then, nothing happened
for a couple of hundred years (unless you count stuff in Norway) and that
was followed by the DARK AGES. I mean, how good could that millennium
have been if folks called it the dark ages and then expected (hoped?)
that the next millennium would mark the end of the world. "I've lived
through enough of this crap. Let the commencement of the next millennium
be the end of the damned world. Enough is enough."
Luckily, the millennium from 0-1000 went by really quickly.
It was the millennium 1000-2000 that took an extraordinarily long
time. God, I thought it would never end. How long will
this one last, I wonder.
It should be pointed out that in all the millennium changes
so far, not everyone expected, or wanted, the world to end. Some
people did really well during the preceding millennia. They made
a lot of money, acquired a lot of property, had lots of power, things
like that. (In the early days, some of them even hypothesized
a life after death so they could take all that stuff with them. They wanted
the world to keep going. "Fuck the new millennium," they said.
"Give me more gold, and let's fool around with this powder that explodes.
The new cuisine has really changed my life. This rash makes me a
bit crazy, not to mention the rats, but what the heck. Think of the possibilities."
I heard some people say, in 1999, "I'm going to make even more money in
the new millennium. Think of all those stupid things that people will
buy if you just put ‘2000' on them. Cocoa Puffs 2000, the cereal for
the new millennium. Lever 2000, the soap for the new millennium.
Rolex 2000, it's about time." And so forth. This is merely
to point out that there are two sides to every thing. Some people
want ot just die. Others want to make more money.
In summary, and as context for evaluating the status of the
current millennium:
- Millennium 1000 BC to 0...not a bad millennium, overall.
A lot of wandering around, not all that much killing (a slaughter here
and there), Archimedes Screw, camel domestication methods, lots of
death by infection (man, what is all that green stuff?), the final refinement
of the sandal, first reports of alien abductions.
- Millennium 0 - 1000...a really lousy millennium. Dark,
dreary, smelly, greasy, though there is new evidence of soap in England
where pots with fat and ashes have been found, not too far from the
site of Westminster Abbey. ( The soap recipe may have been lost, however.
All the movies I see show really dirty English people in pubs during
the Renaissance, which comes in the next millennium.) Lots of mystical
stuff going on and some really cool languages that few of us can pronounce.
Good stories. Lots of plant and animal evolution around New Zealand.
Only one report of an alien abduction in this millennium....one!
-Millennium 1000-2000...a pretty good millennium, especially
compared to the previous one. Books, education, nicer clothes,
governments, countries, weapons, coal mining, tastier food, drug stores,
guitars made of Brazilian rosewood, kings, singer-songwriters, Marilyn
Monroe, baseball, bluegrass, slavery, strip mines, computers, institutionalized
poverty, The Cantab Lounge, Ted Kennedy. Millions of actual alien
abductions. Duck, man!
- Millennium 2000-3000...not off to a very good start.
We still have Ted Kennedy. If I put the word ‘TERRORISM' in this
document, I will be sought after by THE SHADOW GOVERNMENT. Bombs
are going off all over the place and there is a proliferation of singer-songwriters.
How good can life be if you get gastrointestinal disorders on cruise
ships? Good god, bacteria on cruise ships! On the other hand,
Trent Lott and Cardinal Law are outta here! The guy across the
street is making porno films in his living room. The miniature paint
ball gun has been invented, as has that powered scooter so we won't
ever have to walk again. Apparently, there are new species coming
into existence fairly frequently, but no one tells us about them.
Ted Williams will stay frozen, until, someday in the future, he
will be placed on a cruise ship headed for the Caribbean so that he can
thaw out and be fixed. (It's a darned shame that Slugger, Ted's pup,
was cremated.)
Then there's the issue of unharnessed capitalism. I
just don't know where this is going. Do you? For example,
there are probably more than 200 brands of shampoo. (I, by the
way, can't find a really good one. For years I have never understood
the one that says, ‘For Oily Hair.' Why would anyone want oily
hair, I reasoned? I have oily hair and don't like it. So, I
chose the one that said, ‘For Dry Hair.' Man, my hair kept getting
more and more oily. Finally, someone told me!) If there are
more and more brands of shampoo, maybe each one of us will eventually have
their own, personalized shampoo. That would be good, right?
In that case, maybe unharnessed capitalism is okay. (Hey!
You can get personalized jeans created by computer. "Could you please
pooch up my ass?")
Gambling casinos. Now there's something good for (western)
mankind. Now, states like Massachusetts are hunting down Native
Americans, not to steal their land, but to qualify them as ‘the real
thing' so that the government can ‘bless' them with a casino and collect
tax revenue from them. Of note: The Native American Daily Casino
News reports that Native Americans who ‘own' casinos are in debt to the
land and casino developers. Imagine that!
And how about the middle east, the far east, the near east,
Tony Blair? What in heck is happening in South America, other
than plastic surgery? And you have to love how Fidel just hangs
in there; screw the poverty, ideology onward! Is there any recognition
of the trend to steal whatever money we were allotted by the capitalists?
First, they gave us percentage points to use their banks. Then
they got us to put our money into gambling...the stock market.
Now they're stealing the money we put in the stock market. When
they get caught stealing, the fines go to...THE GOVERNMENT. To quote
my ex-sister-in-law, "Geepers."
I could go on, but "geepers" seems like a good way to a close.
The current millennium has no where to go but UP, even though I have
plenty of porno going on across the street every day. There's only
so much....never mind. I will keep a watch on how things are
going and report back to you at regular intervals, say, every 25 years,
or so. In the meantime, see that man over there, he's down on
his luck, reach in your pocket, and give him a buck.
Thanks Ed and Cousin Bob, my
only two readers.
go to next entry
October, 2002
The folk scene lives! We have
just come back from a swell time in Ithaca on Phil Shapiro's radio
show, Bound For Glory and we prepare for our second visit to Mike Agranoff's
Minstrel Coffeehouse in Morristown, NJ. These two gents have
been responsible for keeping an old folk tradition alive for over 30
years. Through radio, concerts, festivals and general support
of both folk artists on tour and folk artists at home, Mike and Phil have
brought folk singers together and brought folk music to their audiences
for no other reason than love of the music and a desire to be involved.
Putting these shows together requires enormous amounts of work.
It does not happen mysteriously. Both Mike and Phil are supported
by a net work of volunteers, the ones who put out the chairs, buy the
donuts, make the coffee, sit at the CD sales table, provide accommodations
for touring artists, plant the publicity in the press, and more. So,
I take this moment to thank them for supporting us and for supporting
the folk community. There should be awards for folks like Mike
and Phil, and as we head to The NorthEast Regional Folk Alliance I shall
have to keep that in mind.
Also noteworthy is that December, 2002 is the 11th anniversary
of Geoff Bartley's Open Mic at the fabulous Cantab Lounge in Cambridge,
MA. Congratulations, Geoff!
According to marketing types, Halloween marks the start
of the holiday season. If we were buying enough crap right
now, the season would not begin until Thanksgiving. But the
economy is a bust, so we'll have to tolerate western capitalism's ode
to the dollar for the next two months. My guess is that best
sellers will be those really ugly insulated flannel shirts from Sears.
They will be 'last year's' colors (whatever that means), and they
will take two years to break in, at which time you will receive another
one as a gift, also in the previous year's color.
Another best seller will be connector cables. These
will allow you to connect every piece of computer, audio and video
equipment known to mankind. You be able to color code everything
as you gaily upload, download and sideload. You'll need special
cables and adapters for each different brand so you can increase
voltage, lower impedance, and vice versa. And since you spend
so much time in the car, you'll need a whole bunch of special cables
and connectors for that, too. But, I predict that all this will
get simplified soon. Yes, there will be a connector that will be
THE MOTHER OF ALL CONNECTORS. Input anything and merely dial the
desired output, digital, analogue, desired voltage and impedance, and
so forth. Any kind of connector can be used, RCA, headphone cable,
mini plug, maxi plug, XLR, little wires, solid copper things that break
when you bend them too many times, you name it.
Magnetic identification cards will also come into their
own this holiday season. Presently, you use 'swipe cards'
that contain fixed information. That's old hat, folks. The
new card will be a continuous recording device that will document
your every activity, every minute of every day, including sounds,
smells, movements and even video, when you want it. This will
insure that your most private moments are captured so that you can recall
them later. When you place the card in a player, your entire life
passes before you, and before anyone else who is watching. There
will be countless uses for this card, everything from remembering that
babe's name, the one you met in the subway, to convicting you of a lewd
moment in the ladies room when you simply had to try on that new underthing.
Want to write an autobiography? Don't even bother. Just
'use the card.' It's coming!
Finally, I predict the gift of gifts will be the miniature
paint ball gun (MPBG). This replaces my previous prediction
of the personal nuclear weapon. The miniature paint ball gun will
allow you to express yourself secretly because the paint balls will
be rather tiny, the gun easily concealed and the noise masked by a mere
clearing of the throat. For example, you are in a restaurant and
the waiter is ignoring you. In the old days, you'd get angry, lose
your appetite, complain to the management, stuff like that. But in
the MPBG age, you finally get the attention of the waiter, get him to bend
over the menu to clarify how a dish is prepared and then, 'blang,' you deliver
a puce paint ball stain on his white shirt. He fails to notice, of
course, but all his customers are repulsed by the stain so they don't leave
a tip. They complain to the restaurant owner, who is also repulsed
by the puce stain. The waiter is fired and does not realize, until
much later, that he has been MPBG'd. He, too, is repulsed and knows
that he deserved what he got. He signs up for the night course in
"How To Be A Charming Waiter." So you, with your MPBG, have done
some good in the world. Or, you're visiting your aunt Martha, who
still has that pain-in-the-ass cat who made your childhood visits a horror.
The cat, named Fleur- because your aunt pretends that she is descended
from a family of French perfumers, would rub against your leg, then bite
you as you petted it. Now, as Fleur approaches, you place your finger
on the trigger of your concealed MPBG. She rubs your leg. You
bend. She awaits your attempt to pet her so that she can put the
big bite on you. But this time, this time, you deliver the virtually
silent 'BLAM!,' leaving a hot pink stain between Fleur's eyes. Ha!
The shot was delivered so well that Fleur does not even notice, not
until much later when she passes that wall-length mirror in Aunt Martha's
bedroom. "Egad!," says Fleur in meow-speak, "I have been MPBG'd down.
Alas. I expire from the embarrassment of having been seen,
stained between the eyes, the entire day. Fleur shall be no more."
What a great gift this will be.
So, if you must participate in the holiday spending thing,
buy some tickets to folk gigs, buy some folk CDs, or simply send me
money for encouragement.
go to next entry
September 29, 2002
Well, good grief, the world
has gone mad, again, and for at least the twelfth time, as far as I can
recollect. The new twist is that the madness is now video-taped
while it happens. My favorite is the video of the mother brutalizing
her 4-year old daughter in the Walmart parking lot. Oh, those
moms who lose their tempers! This video was followed by several
more reports of moms beating on their kids. This was a pleasant
respite from all the coverage of 'fathers' beating on little boys.
This was followed by the story of the 21-year old boy who
murdered his mother and father. Thinking this through, just a
little, it may be that all this harm we do to one another evens out. Mom
beats child, child kills mom. Father molests child, child kills
father. This is all 'on the average,' of course, rather than a specific
eye for an eye, or specific tooth for a tooth. If it does average
out, and we substitute vengeance for justice, perhaps we have the makings
of a viable system for managing societal cruelty of this type. Taking
a tip from hunters, I suggest we have a cruelty season and a designated
place where all this cruelty should take place. And it would all
be video-taped, of course.
What would be the best time for 'open season' on cruelty?
I suggest, for western 'culture,' the period prior to Christmas.
Lots of people get depressed around this time, and cruelty
season might cheer them up, or offer them an outlet for expressing
their depression in an acceptably cruel manner. This is the time
when kids get really tense, anxious and DEMANDING. Perfect for
bringing out the cruel nature in their parents, and uncles, for that
matter. Also, this season has a bit of chill to it, which is good
for cruelty. A simple slap has an edgy sting to it in chilly weather.
For other cultures, this notion can be generalized. The cruelty
season would be the one when children are the most annoying. In
terms of cruelty season duration, six weeks should do it.
I think all this cruelty should take place in a central
location. There's the issue of video-taping, but there's also,
then, the possibility of adding live spectators into the mix. Stadiums
have always been used for displays of cruelty, and why should we change
now. But I'd suggest a huge stadium, large enough to house thousands
of moms, dads and kids in separate pens. The plan would be to let
them at each other at diabolically designed release intervals that
would foster the best kinds of cruelty, defined simply by their spectator
popularity. The stadium should probably be in Canada.
I'm sorry I don't have this all worked out, down to the
tiniest details, but I think the Canada site for Cruelty Season is
really brilliant. There should be some gambling associated with
the event. Everyone should have an opportunity to profit from
cruelty. This implies that there will be cruelty winners and losers.
Of course! It would just be senseless cruelty, otherwise.
I hope you are enjoying the news as much as I am. Please
note that I am not focusing my attention on George Bush. That's
much too easy. He can do anything he wants, as long as my cost
per gallon stays under $2. I prefer to tackle the really tough
issues; child abuse, vivisection, personal hygiene, the American Whey,
and that spot behind the right ear that, when rubbed properly, seems to
control what we think are out-of-body experiences. I'm going to get
myself an out-of-body experience right now, if you get my drift.
go to next entry
August 18, 2002
We (Fishken & Groves) started
out at 10AM on Tuesday, August 13th, took the worst route possible
to Manhattan, and arrived at The Woody Guthrie Foundation Archives
right on time at 3PM at 250 W. 57th Street. It was a mere 103
degrees, and on the streets of Manhattan that translates to a heat
index of 'friggin hell.' Up to the twelfth floor, ring the bell,
door opens, and there stands his eminence, Harold Levanthal, long-time
promoter of the most famous folk concerts ever held; The Weavers, Bob
Dylan...probably worth a historical review in itself. I threw
my hand at him and introduced myself. He was mighty impressed,
I'll tell you. Mr. Leventhal has overseen Woody Guthrie's financial
situation for decades, and still does. His office, and those of
the archives, are one in the same.
We were surrounded by memorabilia; posters from concerts
of the past, sculptures of famous folk personalities (the works
of Mr. Leventhal's wife) and photos. Felicia Katz, Assistant
Archivist, greeted us and prepared to take us into the archives room.
However, I saw Nora Guthrie in her office and made run for it.
We had met several years earlier at a New York concert featuring
Ramblin' Jack Elliott and Dave Van Ronk, and I had interacted with Nora,
by email, in an effort to bring the Smithsonian Guthrie exhibit to
Boston (to no avail), AND, Nora, Arlo and their mother, Marjorie, lived
on 85th Street in Howard Beach while I lived on 89th. Close enough
for folk music. After a brief chat, it was off to work.
Our objective for the two-day visit was to look through
materials as we prepare educational programs about Woody. The
archives contain drawings, song lyrics, letters and manuscripts collected
by Marjorie starting aorund 1940. It is an enormous collection
because Woody wrote everyday. He typed, handwrote and drew on
whatever paper was available, in notebooks of all sorts, in leather-bound
diaries, whatever was at hand. For all that was saved by Marjorie,
who knows how much has been lost. Initially, I abandoned the notion
that I would actually achieve my goal of getting relevant information for
educational programs. I was overwhelmed by merely holding original
pieces of paper containing Woody's words. Though I tried to 'get professional,'
I could not, so, I decided I would just read for pleasure and get over
it.
Woody's letters are astonishing in several ways.
First, there is his penmanship; there's a word from the
past, eh. His writing is in a beautiful hand, just about
every letter clearly legible, like something from those charts that
were up on the walls of your elementary school. His lettering
in any single letter is consistent in size, and, in different letters,
ranges from small to smallest possible while remaining easily legible.
Letters on unlined paper contained many dozens of lines of small
script with every line parallel to the top and bottom edges of the paper.
Amazing. Woody was well aware of this aspect of his writing. In
some letters he asks Harold Leventhal to send him one of those new Parker
51's or the Duofolk model. Or, he points out a spot where the pen has
leaked a bit, expressing his annoyance. He used blue ink, black
ink and green ink.
Sometimes he prints instead of using script. Mostly
he uses capital letters when he prints and there is a neat,
orderly manner with vertical lines all parallel. Sometimes
he typed his letters, sometimes all capital letters. In some
he used a paragraph structure, in others the page is entirely covered
with type with spaces only between words. His letters to Alan
Lomax were of this format.
Many letters had drawings over the script, sometimes
Woody's, sometimes one of the children's. As Woody aged
and became more ill, he gradually lost muscular control. His
writing got larger, more wavy, like grass blowing in the breeze,
retaining an artful pattern though becoming difficult to understand.
Second, Woody had several personae. He would
be the folksy Woody. In this persona he misspelled words,
most likely on purpose. Folksy Woody is charming, and maybe
a bit of a low-key manipulator. There's also Business Woody
who is seeking recording or publishing contracts, updates about
projects, money advances. Woody clearly is on top of things,
allowing little to chance. The best of them is Social Protest
Woody. Woody lays out his position clearly, firmly and intensely.
He moves into the territory where he is accused of being a communist;
the big money is evil and has to be distributed to the workers. But
his opposition of facism during World War II is just as vehemently stated.
After a couple of stints in the Merchant Marines, Woody was actually
drafted in to US Army and served after the war was over.
Third, much of his letter writing, though in prose
form, is poetic. In some cases he inserts rhyme after a rhythmic
pattern of words and then continues the pattern of poetic prose, producing
a compelling letter. Or is it a poem? In other cases his
prose contains no rhymes, but there is a poetic rhythm that you jump
on and ride.
As we are reading, we're developing a clearer and
clearer impression of Woody Guthrie. Though he was both saint
and sinner, his political stance about capitalism and management
versus labor is unyielding and important. We all know him pretty
well as a songwriter, but I think we are going to discover much more
about this aspect of his work. Billy Bragg has just scratched
the surface.
Day two of our research ended and we went to a late
lunch with Nora and Felicia. We just chatted away about lots
of issues. Nora and I talked about the old neighborhood, going
to elementary school at PS 63, and the John Gotti influence on the
current neighborhood. We talked about Woody's latter years,
the hospitals, the friends, the difficulties. I split my corned
beef sandwich with Nora and she got the entire pickle. And then
we were off, already thinking about what we're going to read on our
next visit in the fall.
go to next entry
August 1, 2002
I can hardly believe it. Ted Williams's (step?)
daughter has acquired the ashes of Ted's beloved dog, Slugger.
She (the daughter, and I assume Slugger is...er, was, male)
went outside of the legal process and actually spoke with the veterinarian
who has, unbenounced to many, been holding onto the ashes for quite
a while. Notably, Slugger was not frozen! This represents
an important clue in the determination of what Ted really wanted to have
done to his own body, or head, as the case may be. You see, Slugger
was a terrific low ball hitter and he could run the bases like a flash (although
he often ignored the sequence so long enduring in baseball, violated
only by Jimmie Pearsal many years ago, first, second, third, home...you
know). Not only that, he could circle around numerous times as
he excitedly prepared to catch a high fly ball. My God, that dog
had the skills of some of the best of today's center fielders, and with
no glove! If Ted had wanted Slugger's gifts passed on, he would have
had him frozen. Instead, he chose cremation. Slugger's characteristics
ain't going nowhere.
During this time of economic difficulty, except
for folks like GWB and Martha who can handle the market mess lithely,
it is truly a pleasure to have the diversion of the Ted Williams
(and Slugger) sagas. And it coincides with the very real
possibility that the baseball players will go on strike. Strikes
are pretty much about one thing, making more money. The ball
players want more money, and the owners want more money. (I want
more money, too.) Somehow, all parties will have to figure out
how they all make more money. I'll bet that will have something
to do with raising ticket prices, don't you think? Then there
are the teams that are not in New York City, and not the Yankees. They
don't make as much money as the Yankees because they almost never win
the World Series (or, in the words of Joe E. Brown, the World Serious).
And, they reside in cities where fans sometimes stay home during
a game. Consequently, these smaller teams that make less money
want the Yankees (and some of the wealthier teams) to share their money.
It will be good for baseball. It will make it more competitive
because the smaller teams can 'buy' better players, since they will have
more money. Surprisingly, the Yankees don't want to share their
money. George Steinbrenner was quoted as saying, "Bite my beak,"
when recently asked if he would share his money with other teams. (George
borrowed this phrase from Scott Alarik, who is suing George for not giving
him credit and failing to pay royalties.) I asked the rich guy next
door if he would share his money with me because it would be good for the
block, and I would assure him that a neighbor revolt would be suppressed
if he would give me the money. He actually gave me a little bit of
money, so I bring him his Sunday newspapers each week.
So, it's all about baseball. It turns out
that my wife's cousin recently married the daughter of Don Schwall.
That makes Don my sort of cousin removed from far away but
who knows me and has had a BBQ meal with me in the backyard down in
Mendon, and I almost knew exactly who he was upon first introduction
even though I did not want to go to that family BBQ but my wife, the
sweet Cheryl, always says you never know who you're going to meet and
how that might help your life in some small way. Don gave me a signed
baseball and photo and there's a picture of me and Don eating BBQ
and you're wondering 'who in the heck is Don Schwall.' And I say
to you, he was the only Red Sox player in the All Star game in 1961,
and he was Rookie of Year in the Amercian League in 1961, having pitched
to a 15-7 record but starting the season something like 9-0, and you know,
1961 was good year to be playing baseball, if you'll recall. That
was the year Roger Maris starting losing tufts of hair in pursuit of the
record for how many beers he could drink with Mickey Mantle after winning
home games. So Don Schwall pitched to these guys, in 1961, that splendid
year...and wasn't that the year that Captain Carl Yastremski replaced
TED WILLIAMS in the Red Sox outfield.
I tell you, it all comes around if you just keep
writing enough, and I have written too much for today, except
to say that the date for our appearance on WVBR's Bound For Glory
is October 27, 2002. Phil Shapiro's radio show has been
running for 30 years, and our names, Fishken & Groves you know,
will placed beside the great ones of folk music. I am atwitter.
I am. Really. Tell your friends in Ithaca and surrounds
that we will be on the air. They can even come to Cornell and
see the show live, live, I say.
Bye for now....
go to next entry
July 16,
2002
Okay, it's been a while, but here's what's up.
Perhaps the most important issue of the day is,
'what's going to happen with Ted Williams's body, or perhaps just
his head.' What's of interest is that it is Ted's body
that we loved. It hit homeruns, glided along the basepaths,
stuff like that. His head was full of darkness. It even
spit at reporters and maybe at fans. However, it also spoke of
the art of hitting a baseball. So, what shall we preserve? The
head, the body, or just a snippet of any old part so that we can build
an army of Teds once the technology is available. And, why stop
at Ted? Let's get some hunks of Joe DiMaggio and try to recreate
baseball as it used to be. Let's get all the old guys cloned or
repaired. This would be good for the baseball club owners. These
recreated old guys would be used to getting just a few bucks to play
the game, ticket prices would come down, kids could cut out of school
and actually get into a game. Life would be simpler, there'd be
fewer home runs and more strategy, the hot dogs would be made of dogs,
like they used to be, you could walk on the field after the game, baseball
players would visit you when you got sick and there would be a newsreel
about it at the theater. Borrowing from Bob, 'everybody must get
cloned.'
The music life has been very good to us in recent
weeks. For the past two weekends we have been on the road
doing the weekend touring thing, first in Rochester, then in New
Bedford. It's as if I have to argue with the sentiment in
the Cheers song; sometimes it's better where nobody knows your name.
Then you can sneak up on 'em with good music and conversation and
surprise 'em! We did.
Outside of Rochester, in Williamson, Jan and
Elmeda have opened their home and grounds to The Williamson Folk
Festival for the past 13 years. Bill Staines has played it.
So have Steve Gillette and Cindy Mangsen. And now us.
What is sweet about this festival is the focus on local performers.
Daytime performances are all by local individuals and acts who
are given the opportunity to play in a festival environment. Evening
features, like us and Ron & Nancy OneSong, are brought in from
the region. It's a small, intimate affair with maybe 120 folks
attending, a potluck dinner, and the feel of community. It's a
day off to listen to music, hang out with friends, share a meal. By
the end of the day, everyone is hugging their goodbyes, and it's real
difficult to leave. Our special thanks to Joe Lamay and Sherri Reese
for bringing us in. The lesson...the objective of a festival is
to bring the music to the people. It's not entirely necessary to
bring it to thousands of people.
However, when you want to bring it to thousands
of people, The Summerfest New Bedford Folk Festival is the model
preferred by many. This weekend extravaganza is supported
by the business community of New Bedford (MA) and organized by artistic
directors Helene and Alan Korolenko. This year they brought
in performers from England, Canada, Italy and the US for a diverse
display of roots music and its contemporary interpretations. Get
that? Roots music. The main stage presented individual
performers for sets of an hour in length. But the real show occurs
on the smaller stages where performers are put together to address a
particular theme. This is where the real magic happens. Performers
meet one another for the first time. Thye have to dig into their
song bags and stick with the theme. Young and old were matched on
stage and mutual appreciations developed right before your eyes and
ears. We did some hosting duties on the Custom House Stage, the
largest outdoor stage after the Main Stage, accommodating maybe up to
1,000 folks. What a turn on! My personal BIG moment came
when the power went out for a while. Sally Rogers leaped forth
and led the audience in a round. There I was, left alone on stage
with, with, with...Garnet Rogers, both of us in straw cowboy hats. Well,
what else could we do except to harmonize to Sally's round. In
the words of Geoff Bartley, "Okay."
The displays of musicianship at this festival
were superb. There was the brilliance of old-time music
from Bruce Molsky, Jeff Warner, Jeff Davis, Howie Bursen and many
more. There were lessons to be learned from sweet performances
by Michael Cooney, Scott Alarik, The Copper Family and Little Johnny
England. And so very much more. Folk festival life....we
like it!
What else is new with us? We've got a new
line up of open mics scheduled for the first half of next season,
two at The Mozaic Room in Avon, MA and two at The Circle of Friends
Coffeehouse in Franklin, MA. We're just about to put the finishing
touches on a Harmony Workshop at the Club Passim School of Music.
We will soon appear at the famed Caffe Lena in Saratoga Springs,
NY and on the equally wel-known radio show, Bound For Glory,
out of Ithaca, NY and hosted for over 30 years by Phil Shapiro.
Geez, why didn't I just quit college all those
years ago and just do the music. Well, at least we're
doing it now.
go to next entry
June
7, 2002
Last night I attended the graduation of my youngest daughter from
Newton North High School. Because of the rain, it was held
at Boston College, and in the same hall where the elder daughter
received her degree from Boston College a week or so ago. The
Newton North graduation was a delight. Instead of a class
gift, these young folks collected $10,000 and sent it to a village
in Uganda where there is an AIDS infestation. The speakers spoke
of community, helping neighbors, looking out for one another. Mayor
David Cohen challenged these graduates to seek out opportunities where
they could assist in conflicts and bring calm to chaotic situations.
It was a far cry from the Boston College graduation where the
emphasis was on going forth to make money so as to send money to Boston
College. Newton North sent my daughter off into the world with the
message that she could and should contribute to the well being of others.
Thanks, Newton North.
I'm finding it difficult to put these two graduation
experiences into perspective. Both took place in Newton,
MA, and in the same hall! Does something happen in the four
years following high school that twists the motivations of young
adults? Do they go from "help thy neighbor" to "help thine self?"
If they do, and if that is a function of attending a college that,
somehow, destroys the urge to give to others, perhaps my child ought
to take some time before college and get some community experience.
Happily, she will not be attending Boston College. Hopefully,
wherever she goes, she will retain the message delivered at her graduation.
And what about folk music today? I'd rather
focus on the 'folk.'
go to next entry
May
20, 2002
As we expected, The Minstrel
Coffeehouse is a player's room. And I managed to get 11 cousins
and 1 aunt to step out on a Friday night to hear us. Since
they came from both sides of my family, and had not seen each other since
the last wedding or bar mitzvah, it was a family reunion of sorts, and
a successful one, at that. We were happy campers at Rick and Cathy's
home in nearby Warren, NJ, and we swapped songs with Mike Agranoff
the next morning, just before he set out to play the Uni Coffeehouse
in Springfield, MA. The community associated with The Folk Project
(
www.folkproject.org
) is a collective of folks who are in it solely for the music
and the camaraderie. Like any other organization, they
have to stay financially healthy since they pay rent and hold folk
concerts almost every Friday (50 per year), and on many Saturdays.
The Minstrel Coffeehouse was established in 1976, so you know
they're doing it right. Every volunteer has fine tuned his or
her task, and there's a very thorough manual describing each and every
task, including where to find and store the tea bags. Load-in
and load-out occurs in a blink of an eye. In advance of the gig, Mike
requested that I send promo material to fellow who plants materials in
the press. Sure enough, when we arrived there were news clippings
of our photo and bio from the newspaper. Our CD went to 3 stations
in the region a couple of weeks in advance of the gig. I don't
know if we got airplay, but I'd bet a couple of bucks that we did. (I'll
check.) Bravo!
On another topic entirely....
Today I attended my daughter's graduation
from Boston College. As proud as I was to see her reach
this important landmark in her life, I was that distraught with
the messages delivered by several college deans and the keynote speaker,
a former BC graduate and presently an official in NATO. Over
the course of several speakers there were mentions of local professional
sports (Pedro Martinez was in the audience), BC sports accomplishments,
and the, now, required mention of the major events of the year, 9/11
and the Catholic church disaster. BC is a Jesuit school, so they
had to mention that they supported some sort of movement to 'involve'
the laity in the church process, what ever that means. That drew
some applause. Then there was coverage of each of the different
degree types and the jobs that awaited them, hopefully, and use of words
success, and thanks to the parents of the graduates (who had just shelled
out over $100,000 to educate their child), and, graduates, don't forget
to keep in touch with the Alumni organization, so that we can ask you
for money on a regular basis, etc. Someone said something about getting
things done, one person at a time. One of the deans said that
the class of 2002 was academically the best in BC history, which drew
applause. But he then said that that claim would only hold up
for a year, as next year's class would exceed the academic record of
this year's class. Compliment offered, compliment withdrawn.
At last, the #3 student in the class, a religiously devout young
man, gave a speech in which he actually used the term, "whole person."
But never was there a suggestion to the graduates that public
or community service should be something to consider. I never heard
the word 'neighbor,' though banners on the Newton streets leading to BC
referred to the city as Neighborly Newton. Nor was there mention,
at this Jesuit school, that graduates should seek the moral high ground
during these times of new lows in the moral low ground in church and
business and politics. This despite a special reference to the top
ranked graduate, a woman who had spent a year teaching poor kids in Ecuador.
(It was as if she were some oddity among them.) Actually, there
were no messages delivered to these graduates; I must correct my earlier
remark. The graduates were sent off with no final message whatsoever,
unless it was, "Go out there and do what you must so you can send us money,
and then send us your kids when they are college age." Boston College
graduation, what a disappointment. I wonder what the four-year experience
is like.
go to next entry
May
7, 2002
Just some brief updates
to let you know what's happening with us.
We're really up as we head to New Jersey
to play the Minstrel Coffeehouse. Mike Agranoff has been
lovingly running this venue for decades, and it's one of those
gigs 'to die for.' We're opening for Mustard's Retreat,
those sweet guys from Ann Arbor, MI. We look forward to being
in a true folky environment...that's May 17th in Morristown, NJ.
More folky news. On May 24th, down
at the Common Threads Coffeehouse, it's our third annual,
Fishken & Groves salute to Bob Dylan. Open mic folks
have to sing Dylan tunes. Happy Birthday Bob. Then,
on June 28th, same place, we honor Woody Guthrie. That will
be the last open mic of the season, and we'll keep you apprised of
what our open mic situation is for next season.
Coolest of all, we have been invited to
perform on Bound For Glory . That's
Phil Shapiro's 35-year young radio show on WKBR, Ithaca, NY.
We are very excited because we join a list of folk artists
that reads like, "who influenced your music.?" This will happen
around November. And with upcoming performances in Rochester,
Saratoga Springs, and Chester, NY, plus summer festivals in the
region (we are waiting to hear from Falcon Ridge...showcase hopefuls
are we), well...you know.
Finally, we received an email from Russia
a few weeks ago. A fellow named Serge Tikhanof had heard
our music on the net and he wanted the CD to play on Penguin
Radio, in Siberia. I bit! I sent the CD ($3.05 airmail,
and actually less costly than ground delivery to Siberia) and received
the following (unedited) email from Serge.
Dear David,
thank You so much for brilliant Going to
the West! We was really glad touch Your creation. Thank You
for piece of Your hearts, contained in Your wonderful, clear
and clean music!
Much friendly love from Siberia.
Serge Tikhanoff
Radio Penguin.
That's folk music.
go to next entry
April 23, 2002
We have just completed a weekend wonderland
of gigs, opening twice for Holly & Barry Tashian, playing
a brief set at an Earth Day Benefit, and teaching folks
harmony singing at NEFFA, that wild and maniacal gathering
of folk singers and folk dancers up here in New England. We're
getting a taste of touring, albeit locally, and we'll be getting
more in the coming months as we head for upstate NY and spend a
weekend in New Bedford at this year's Summerfest. (Check
our schedule.) Friends, we are having a mighty fine time.
The experience of sending out the music to audiences that
smile, sing and sway is unparalleled. Thanks to old friends and
all the new ones we're making.
My letter to Acoustic Guitar Magazine
did get published (June 2002), though it has been somewhat
modified, as has the original answer, which was sent to me
some weeks back. The original letter questioned the notion
of having virtually killed off a species of tree for the sake of
having pretty furniture and nice sounding guitars. And,
if we continue to buy vintage guitars made of Brazilian rosewood, aren't
we perpetuating species extinction? The published answer
is, 'yes,' because mahogany is next in line. It's sorrowful
to see animal species decline and eventually disappear, though I
could do without killer bees. Saving trees seems a bit less
determined. We're trying to save the remaining sequoias, and
you should take a quick drive to check out the few tall Carlisle
Pines here in Concord, Massachusetts to see what is worth preserving.
Maybe guitar manufacturers ought to develop their own policies
instead of relying on mere legalities established by federal governments,
and maybe we guitar players should express ourselves by raising questions
about guitar building materials and their renewabilty. You'd
sure be boycotting tambourines made from seal skin.
Finally, it occurred to me that we folkies
ought to adopt something. While driving to Mahopac,
NY for a benefit, we passed lots of signs indicating that some
company or organization had adopted a section of highway. What
this comes down to is that volunteers clean the rubbish (and lord
knows what else) from that section of highway once a month during spring,
summer and fall. Up here, the snow covers the gore and garbage
during winter, presumably. So, we can adopt some sections of
highway, or maybe other garbage-strewn areas, such as the parking
lot of your local convenience store. Maybe we folkies could raise
highway clean up money at Adopt-A-Festivals held in rest stops along
highways everywhere. Can you picture it? Folkies everywhere
cleaning up the garbage. Hey, where are we going to dump this
garbage, if you get my drift!
go to next entry
Just
Prior To The Latest
Last night I heard Dana
Robinson sing "What Would Woody Do?' The 'answer' is,
"talk about it, write about it, sing about it, too." I've
always liked Dana's song. Timely, it is, as we enter
our last week of rehearsal for Bound For Glory, a musical tribute
to Woody Guthrie. (It's produced and directed by Ellen Schmidt
and will be presented at The Museum of Our National Heritage in
Lexington, Massachusetts on April 14, 2002. This is the
67th anniversary of the most famous of dust storms in Oklahoma..."On
the 14th day of April, In 1935, there struck the worst of dust
storms that ever we had saw" Woody Guthrie, of course.) It
seems like there are a couple of times each year when the Guthrie
wave rolls over me and I return to my personal folk roots.
I don't really believe in this 'six
degrees of separation' thing, but, I grew up a couple of
blocks from Arlo in Howard Beach (in Queens, NY, right on
the Brooklyn border and just off the Belt Parkway), our families
had both moved there from Brooklyn (though Woody was, by then,
out of the household, off to another marriage, and in the initial
stages of Huntington's Chorea), my maternal grandparents lived in
Brighton Beach, close to Coney Island, Sheepshead Bay, and the now
well known Mermaid Avenue, the Guthrie Brooklyn home. Add to
this that Jack Elliott, the Ramblin' one, also comes from Brooklyn
(Flatlands), there is a geographic and a musical connection. I
visited Arlo's Howard Beach home one day, maybe around 1960; he
wasn't home, but we had a good time sittin' around the group W living
room couch! And my mom would call Jack's mom to get his touring
schedule for me; you couldn't log on to www.musi-cal.com back then.
So I'm going to dig back into my record
collection and listen all over again. In particular,
I enjoy the Smithsonian recordings of a lengthy interview
of Woody by Alan Lomax. If you go to our links section
of this website you can click on the Guthrie Archives as a starting
point. You'll run into Nora Guthrie, Woody's daughter
-- who looks remarkably like Woody, Woody Guthrie Publications,
and lots more. If you want to dig more, just put Woody Guthrie
into your favorite search engine and let 'er rip.
The revivalist movement is underway.
That can be pretty good because it will offer music
that is roots-based. But take it several steps further
and go for the roots, themselves. Woody got much of his
music from the encyclopedic mind of his mother, and she collected
the songs from her father and from the dances and gatherings, and
those folks got the songs by listening to their elders. And
so it goes.
go to next entry
No
Longer The Latest
Spring...mud, bugs, pollen,
lawnmower noise, political campaigning here in Massachusetts,
tax time. Baseball, folk festivals, street musicians,
longer daylight, and, in the words of Richard Shindell, 'summer
breeze, cotton dress.'
We're sending our CD to Falcon Ridge,
hoping for one of those Friday spots on the Showcase Stage.
Gotta give it a whirl. And we'll be outdoors
in Rochester at the Williamson Folk Festival, and at Summerfest
again this year, in New Bedford. Maybe more gigs will
come in. Cheryl, my wife, has been taking some great photos
with those cheapo cameras and documenting a lot of the gigs and
venues and people. We'll have to start putting them up on the
site for you. Maybe it's time for a digital camera.
Just got this month's Acoustic Guitar
magazine and note that my letter about Brazilian rosewood
has not been printed. Perhaps this reflects the fact
that AG receives a good deal of its advertising income from guitar
manufacturers who continue to make guitars from this precious
wood that they have had stored away for years. And because the
wood is now so rare, and virtually extinct, these guitars are
very expensive. There is something bordering on sinister when
a folk singer professes to love the environment and plays their song
on a guitar made of an extinct species. AG had sent me a luthier's
response to this and indicated that these days it is mahogany that is
in trouble. Are we going to do the same thing, again? Quality
of sound (presumed, and never subjected to scientific scrutiny) versus
species extinction....hmmmm.
go to next entry
No Longer The
Latest
You must be, as I am,
feeling most assured to know that we now have an operating
shadow government...oooooooo!
If the current government, presumably functioning in the light,
should disappear, evaporate, or be otherwise discharged, the
shadow government could quickly step in because they are shadowing
the lighted government. What we don’t know is, who is running
the shadow government. Since we don’t know, I believe there is
an opportunity for a ’people’s choice’ shadow government. For example,
I would suggest that Leona Helmsley serve as Secretary of Labor. And
I would like you to consider my friend, Solly, as head of the Food and
Drug Administration. He promises to take some extension courses about
food. Boy, you’d need a lot of people to run a shadow government. There
are so many cabinet members these days. How about shadow house aides
and advisors, Supreme Court judges and a shadow Chief Justice? Gee, do
you think each state has a shadow government, too? That would explain such
high taxes and, here in Massachusetts, it would explain why the folks who
the governor fires won’t leave their jobs. They think they are part of
the shadow government. After all, Jane Swift casts such a broad shadow!
I just hope the rolling paper companies have shadow manufacturing plants!
Forward your suggestions for
shadow cabinet members and such, and be really careful
at high noon, if you know what I mean.
go to next entry
March 5, 2002
It is March
and the time to think about warm weather pursuits, such
as music camp and outdoor folk festivals, and the potential
of melted guitar glue if you leave your ax in the trunk of
your car while you visit your friend who has just begun to examine
the contents of the new, antique vase he received from Colombia
and suggests that you evaluate it with him for the entire afternoon.
Summer is
special here in Massachusetts, and environs. Many
of us attend the Summer Acoustic Music Week in New Hampshire
each year. (Click on our wumb.org link and you'll find
a SAMW page.) Dick Pleasants, famous folk DJ in the Boston
area, developed SAMW (sam double-u) with the first summer camp
in August, 1996. I signed up and had no idea what in the
hell I was doing. I had played guitar and sung Woody Guthrie
songs for over 30 years, never took a minute of instruction, and feared
real musicians because I would surely be exposed for what I was, a
mere, old folky. We were taken to Thompson Island in the
Boston Harbor and imprisoned there for a week in dormitories previous
utilized by little rich boys and then by folks who committed acts that
were not on the state's "approved list." We got three meals
a day and big bowl of fruit at night. There was a blind guy
with a guide dog. What could I lose? I befriended him
immediately. There were nicely aged guys and gals, some younger
guys and gals, and even a couple of even younger guys and gals. Out
of the 57 of us students, there were at least 3 who I could not deal
with, and there were at least 14 who could not and would not deal with
me. I was going through a divorce and some blonde woman offered
me candy! I sang Mule Skinner Blues, yodel and all, and folks
stayed in the room. There were banjos, mandolins, harps, harmonicas,
fiddles, and some really nice guitars. There were sandals, t-shirts,
lots of dopey hats, plenty of facial hair and more than few bald guys.
This was going to be all right! And during that week we played
music from...well, there was no 'from and to.' We just played all
the time, either in a classroom with world class instruction, on a
bench with no instruction, in all night jams, all the time. I
had never attended anything like this, nor had most folks that first summer.
This camp was developed on the premise that we would be a one-week
community, not merely an instructional camp. Musician instructors
were part of the community, participating in activities such as evening
dances, student concerts, and late night jams. I will only tell
you that those who attended this very first year of SAMW shared an experience
that will last a lifetime. It was a special time and brought some
kind of change to everyone. So, I'm thinking that I better get my
money to Dick so I can get to camp this year. Oh, and it is through
camp that I met my wife, Cheryl, and my singing partner, Ellen Groves.
Life is good. GO TO MUSIC CAMP!
In the spring
time I also think about Ramblin' Jack Elliott's annual
Mud Tour of New England. I met Jack in 1963 and have probably
managed to see and hear him at least once a year since then. To
the best of my recollection, I had graduated from The Kingston
Trio to the Weavers with intermediary steps such as The Tarriers (remember
Alan Arkin?) and The Limelighters when Jack strode on stage at Queens
College during the first, ever, folk festival. He followed
Jim Kweskin, who played solo ragtime. Cowboy hat and boots,
a swagger, a killer smile, and an ability to play to the audience
that few possess. Armed with Woody Guthrie songs, cowboy yodels,
and stuff like that, Jack sucked me into his brand of folk music instantly.
He has great taste in song selections, sings fro real, and is
a superb guitar picker with riffs that are real beauties, and tough
to replicate. Since they're his own riffs, replication seems pretty
silly.
So, after
all these years of following Jack, jamming with him late
into the night sometimes, getting interviewed for his movie
(and getting cut, alas), Tim Mason asks me if Fishken &
Groves would care to open for Jack last May (2001) at Club Passim.
Now I cannot say precisely how all the required vectors
and energies came together for this to happen, but they did. It
must have been the right thing to happen because I was not the
least bit nervous about the matter. Mostly, I was concerned
for Jack. His wife, Jan, had just died suddenly, and he had
only recently gotten married. Over all those years I had
seen Jack at his best as well as at the other extreme. He
would play sets well into the night, or he would sing a song or
two and walk out of the venue. Sometimes there was too much
drink or too much smoke. But I never saw an audience get upset
with Jack, though I saw more than a few club owners get really pissed
off. Anyway, we show up at Passim a few minutes before Jack.
He was not a happy man and merely wanted to hide in that tiny
room that Passim refers to as a green room. I went to say hello
and Jack was hiding under his hat. I backed out of the room
and decided I had to pay attention to our opening act. Fortunately,
our act went very well, Jack got in a walk in the fresh air, recovered
from what was ailing him and put on a really fine show. We
shared a few moments of recalling this and that from the past
and that was the evening.
Jack has
recently had hip replacement surgery and he is back
on the road. I was surprised to hear from him via email;
he was resting up after surgery and walking a half mile a day.
He's now back on tour at the tender age of 70 and he's
heading this way, and everyone knows we want to open for him! Ramblin'
Jack Elliott, thanks.
go to next entry
Morning
After...
Grammies...among the stuff that
I never heard of and don't ever want to hear again, were
some Grammy Awards for our folks--Dylan, Allison Krauss,
Elijah Wald, T-Bone Burnett, Dan Tyminski, Ralph Stanley(!),
Ralph Stanley, Ralph Stanley--wow. The Oh! Brother phenomenon
received formal recognition. For those of us focused on
traditional music in its various forms, this is all good news.
Maybe we can spread the word to a somewhat wider audience and
build the bridge to the next generation. Maybe the next wave
of songwriters will tap into the roots that were planted long ago.
I'm gonna
write myself an old-timey song!
go to next entry
February 25, 2002
This has been a heck of a good week. We received compliments
from Skip Gorman (if you don't know Skip, go to our links
page, click, and discover a true cowboy resource), Scott Alarik
(Boston Globe) and Daniel Gewertz (Boston Herald). Our
Duet Fete and Club Passim gigs were both happy musical events
that were well attended. Thanks to everyone.
go to next entry
February 20, 2000
What fun. With millions of dollars on the
line, not to mention the less important medals for athletic
skill, the future of judging is like the past of executions.
There will be 14 judges but the scores of only 7 will
determine the skaters' score, and no one will know which 7
are selected. Great! It's akin to not knowing if
there's a bullet in your rifle so you won't feel guilty about killing
someone when there is a firing squad. Pretty humane, except
for the executed party, of course. Now, when the judging is
manipulated there will be no one to point to. What fun.
The next move should be to allow any and all drugs,
medical procedures, etc. What the heck. Let's
see how fast some guy or gal can go when they have ultra-high
test in their body. Let 'er rip! The Greeks
would have done it. After all, a ban on drug use is purely
arbitrary. Now that I think of it, the judges should be allowed
to use drugs, too. Maybe the judging would improve. Maybe
it wouldn't. Who'd care? Not the TV viewers. They're
mostly drinking beer and telling you how much they know about these
obscure sports and the technicalities of judging it. I can
see this having an influence on bluegrass guitars players, too.
I mean, they pick pretty fast now, and they go to contests
to see who can pick the fastest and cleanest and cleverest. Holy
cow! Could it be that they're already on high test? What
if folk singers began to use drugs to enhance their performance.
What if singer songwriters used drugs and thought that what they
were singing and writing was really good stuff. I guess drug
use can be good and bad.
Let's get serious. I have noticed that makers
of coated, extended life, guitar strings are claiming that
their products last 3-5 longer than conventional, uncoated
strings. Please submit your research design that
would prove this claim. Thank you.
Have you noticed ads for electronic boxes that allow
you to tune your sound 'psychoacoustically?' My partner,
Groves, pointed this out to me, knowing that I conducted psychoacoustic
research in a previous life. Basically, the ad means
you can fool around with the knobs and sliders and buttons
until the sound suits you. That's new, huh? Adjust
your food gustatorically! Add salt.
See you soon.
go to next entry
February
16, 2002
Well goody. Both couples got gold
medals. The importance is that both types of outfits
are valid. Pink, flowing and gaudy (after the Spanish
guy, Gaudi) is just as good as dull gray and tight
fitting. Hey, I just like watching that Canadian gal skating...over
and over.
For the next few days, I am going to think about something
with social and cultural value. Once I have stumbled
upon what that is, I will write to you about it, presuming
that you are attracted to this column. I don't mind that
you think I am shallow (as shallow as a pond in the desert, some
say). It is a good context for me to present an idea that
is really worthy of attention. By contrast, you'll think,
"Holy mackerel. Who would have thought...blah, blah, blah."
In that regard, my letter to the editor of Acoustic Guitar
magazine may be printed in the next issue. The letter is about
Brazilian rosewood used by guitar makers and whether or not we folk
singers should play guitars made from a species that we helped put
'out of business.' Perhaps next I will focus on the new trend
of guitar construction from shark skin. It's a tad smelly,
but the tone and sustain are terrific. But I'm worried about
the shark population and I don't know if folkies should support shark
farms for the sake of good tone and sustain.
So many things to think about.
Happy Presidents Day...don't get me started.
go to next entry
February
13, 2002
Howdy folk fans. I'm going to drop a few remarks
into this space now and then. Seems like a good place
to experiment with approximate journalisticisms as applied
to some of the mind-altering experiences of the folk
music scene, and the effects of different medications, of
course. Feel free to suggest topics that you'd like me
to address...social, political, cultural, athletic, musical,
artistic, psychological, ecological, spiritual, etc. I
can handle them all with equal prowess. Amazing!
My favorite 'news' item of the moment,
the Olympic judging controversy. I thought the
Canadian couple were much better looking than the Russian
couple. That pink getup that the Russian woman wore
was like something out of the fifties. She should have had
an automatic deduction, a reprimand, and maybe a little spanking.
No wonder she stumbled a bit; she lost her concentration
thinking about her outfit. The Canadian woman was just lovely.
Wasn't she? And the men. Actually, I cannot
remember either of the men. So, I'd give the Canadians a
medal and I'd give the Russians one of those giant, stuffed animals
you get at the Olympic Village honky tonk. It could have a
plastic medal around its neck, even a gold one.
Do keep in mind that this week is Heart Failure Awareness
Week. If you have heart failure, and I hope you
don't, try to be aware, though you may not have enough
time.
As for folk music, and such, there's an awful lot
of it going around. I can't get to all of it, and
that seems to work for you with respect to Fishken &
Groves gigs, as well. I have a weekly folk music budget.
It includes 'income' and 'outgo.' The trick
is to have more income than outgo. When you do that, you're
a musician and the government will ask you to declare your income,
from which you deduct your outgo, and then pay taxes on the remainder.
However, if your income exceeds outgo but you call music
a hobby, some other tax issues pop up, but I don't now what they are.
On my taxes I refer to folk music as an addiction and deduct
all I spend on folk music in my medical expenses. What do I
do with the income, you ask? Not to worry, I answer.
You could be practicing your guitar licks instead of
reading this.
Happy Valentine's
Day!
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